Word: mr
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Dates: during 1930-1939
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...YOUR OCT. 23 ISSUE TIME CALLS ROGER BABSON VENERABLE. THIS WILL MAKE OUR GREAT AND GOOD PATRON ANGRY FOR WEBSTER'S SAYS THE USE OF THE WORD VENERABLE GENERALLY IMPLIES ADVANCED AGE. MR. BABSON IS ONLY 64 AND IF YOU COULD SEE HIM RIDE WITH US WEBBER GIRLS YOU WOULD NOT CALL HIM VENERABLE. IF YOUR EDITORS USED VENERABLE IN THE SENSE OF BEING RENDERED SACRED BY RELIGIOUS HISTORIC OR OTHER ASSOCIATIONS WE WILL GLADLY WITHDRAW OUR OBJECTION FOR MR. BABSON's LIFELONG INTERESTS AND GOLDEN RULE PHILOSOPHY CERTAINLY ENTITLE HIM TO QUALIFY UNDER THIS LATTER ETYMOLOGY...
...author of Corn and Corn Growing, onetime editor of Wallace's Farmer, has a reputation as the dreamer of the Roosevelt Administration. He is, says Arthur Krock, "a high-minded, thoughtful man, a progressive, one of the best writers in the New Deal, compassionate and intelligent." But, adds Mr. Krock-like many an observer before him-the Secretary has no sense of timing. When the slaughtered pigs are better forgotten, according to all New Deal strategists, he delivers a carefully phrased explanation of the policy that led to their slaughtering; addressing restive, hard-boiled New York publishers at their...
...world, and start all over again. Adam, the nihilist, proceeds to get himself mixed up with a clinging vine, mass production, Nazism, Communism, religion, and democracy, and in the end passes the world back to God, apparently mighty glad to get out of the job of Creator. Yet while Mr. Capek takes agile swats at every political theory in sight, his only constructive theory seems to be to leave everything in the hands of God. Perhaps that's all the Czechs can do at the moment...
...season, Alan Gray Holmes' stock company of Boston is hitting the pace. With Erford Gage as its guiding genius, the company has put on a rousing production of Kaufman-Ferber's play, "The Royal Family." By taking the cream of the dramatic crop in the past decade, Mr. Holmes has made a wise move, for the pep of the script carries the play along when the cast has an occasional low moment...
...like a funeral procession. About the middle of the first act hope was fast fading when in whooped Erford Gage in a coon skin coat and the show began to shake the dust off its feet. By the end of the second act everyone was talking at once. Mr. Gage was roaring up and down stairs, Joan Croydon (Julie) was standing mid-stage screaming her head off, and things looked brighter. Things continued to look bright straight through to the final curtain...