Word: mr
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Dates: during 1950-1959
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...rhythmic accuracy of the players. It is certainly not an aggressively unpleasant work and some piquant arrangements of the brass sonorities were intriguing. Yet, the work seems not, even after several hearings, to have justification for its length or most of its peculiar characteristics. The performance suggested that Mr. Senturia had steered the group well through the score's most complicated sections. Only a lovely oboe introduction to the first movement by Carl Schlaikjer seemed anything more than competent. But then, in this piece, a competent performance constitutes a major achievement in itself...
...four songs of Mr. Cutler, who is now a graduate student of composition at Brandeis, were finished two years ago and sound a bit adolescent, a bit melodramatic. They center around the ambitious subject of death and, from their excessive use of tremolos in the strings punctuated by over-orchestrated fortissimo chords, one gathers that Mr. Cutler's concept of death is merely a scary mood, not unlike the effect of the most terrifying sections of a horror movie. The pseudo-meaningful verses by that overrated American poet, Kenneth Patchen, do not help the listener in his attempt to grasp...
...orchestra than does a formal concerto, combines evocations of Spain and its festive music with the muted orchestral transparencies of French Impressionist compositions. The orchestra and its marvellously accomplished soloist gave the work a stunning reading. The rapport between them was evident from the first and, throughout both Mr. Senturia and Miss Vosgerchian brought out DeFallas alteration between Latin passion and delicate poetry with judicious phrasing and well-varied tone coloring...
...most radical works on the program were not too successful, it is true but, even here, Mr. Senturia is to be heartily congratulated for his determination not only to present them but to present them as well as he did with an undergraduate orchestra. Those who let the program keep them away not only missed some engaging music but also missed a further demonstration of the H.R.O.'s increasing capabilities...
Replying to the Englishman's charge, Kilson asserted that "things have either changed quite radically at Harvard since I left there in June, 1959, or else Mr. Hawke's information is about a decade out of date...