Word: mr
(lookup in dictionary)
(lookup stats)
Dates: during 1960-1969
Sort By: most recent first
(reverse)
...Polaroid Corporation, said yesterday, "We do anything we can to save neighborhood property. Then we work with the community in deciding what to do with it." In this instance, the community decided to renovate the existing building to provide low-rent housing facilities for two Cambridge families. Mr. Skinner said a lot on Harvard St. is also being turned over to the Cambridge community for redevelopment...
...dancing shows best in "Jazz-Ballet, or a Tale of Two Styles." For this piece, quite literally a "Dance of the Elements," Miss Crouse portrays water to a very simple piano melody. Her movements, drawn mainly from classical ballet are exceedingly simple, she repeats them over and over. Mr. Kemper, as fire, uses the jazz idiom and, again, the choreography is almost childishly simple. Mr. Kemper and Miss Crouse have wisely avoided the temptation to demonstrate their ability with technically difficult movements. The success of the evening depends so entirely on the performers' ability to harmonize the three elements...
...last piece, "Epilogue, or having read the book," the program notes claim to show that "the final definition of dance is the ultimate freedom of the imagination." While this offering is the most amusing, and the most gimmicky (featuring a neon-lit strip-tease in which Miss Crouse and Mr. Kemper remove their white gloves, socks, and hairbands) it is also the most controlled. Lighting, movement and music are in close harmony, while forcing a consciousness of each medium individually as light is made to dance, dancers to glow, and the music plays to the dictates of either...
...blessing to find someone admit to love of good wood, to talk about concerts and buses after the dedicated artistry which burdens even the good material in the Advocate. Why, the price of admission would be well spent if it bought you nothing but an introduction to Mr. Dorcas' mind, whoever's mother's son he might...
...hard to criticize Mr. Moss for his attempt. It may well be that a production truly rooted with Vian's text would only serve to reveal its inadequacy. In any case, the effort to impose a special directorial vision on a play of dubious relevance is as admirable as it is misguided. And this is certainly not the place to question at length whether the horrors of American commercialism can really be satirized by any art work which chooses to borrow the terms of commercialism rather than create terms of its own. Mr. Moss's product is certainly worth...