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Word: mr (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...Your vivid story on the art of Kenneth Noland [April 18] reminds me of a visit to the Vermont farm in South Shaftsbury now owned by the artist and his wife. I was in search not of Mr. Noland, whose painting was then unfamiliar to me, but of the former home of Robert Frost, which the Nolands have renovated and restored. This was The Gully farm, purchased by Frost as a Christmas present to himself in 1928. A barn close to the house had been converted into a studio for Noland...

Author: /time Magazine | Title: Letters: May 2, 1969 | 5/2/1969 | See Source »

...Mr. McBain's staging reminds one forcefully of all the reasons underlying resort to modern dress production of Shakespeare's comedies. Although such conceptions may threaten the very identity of a play, at their best they serve a text in rendering its characters and incidents concrete. I would have paid cash money last night to see Dogberry, Verges and company tricked out in Constabulary Blue rather than motley. But for one evening at least, the ghosts have...

Author: By Peter Jaszi, AT THE LOEB MAY 2-4, 7-10 | Title: Much Ado About Nothing | 5/2/1969 | See Source »

Shakespearean comedy, even a play as nice as this pageant of misrepresentation and manipulation, needs to survive on a modern stage. Mr. McBain has apparently understood this requirement, but his intermittant attempts to provide are the sorts of cures that kill. Where the play cries out for a locale--a definite fix in time and space--he has staged it with settings as homey and identifiable as the mountains of the moon, and costumes suggestive of a Bulgarian re-make of Flash Gordon. The addition of a sort of light show-cyclorama, beautiful as it may be in the abstract...

Author: By Peter Jaszi, AT THE LOEB MAY 2-4, 7-10 | Title: Much Ado About Nothing | 5/2/1969 | See Source »

Where the play demands direction which will point and illustrate the exceptional verbal wit of the text, Mr. McBain has chosen to give his players few props and less stage business: seldom have I seen so many actors standing meditatively with arms folded. When they are given business, it is as likely as not to distract substantially from the words of other characters then speaking. On occasion, the stage groupings extended across so broad a space that I was forced to choose between watching the speaker and following another character's elaborate pantomime of reaction. Where the pay requires both...

Author: By Peter Jaszi, AT THE LOEB MAY 2-4, 7-10 | Title: Much Ado About Nothing | 5/2/1969 | See Source »

This idea has no basis in fact. I have never had a key to University Hall, and I have never claimed to have one. Mr. Flym and the CRIMSON reporter never asked me whether I did have one. (Mr. Flym is not my lawyer.) I do not know how the suggestion arose that I might have a key, except through some confused discussions Flym had with other of the defendants. The idea was then advanced completely without my knowledge, much less my permission...

Author: NO WRITER ATTRIBUTED | Title: DENIES HAVING KEY | 5/1/1969 | See Source »

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