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...fidelity of close friendship—but here he trivializes Fox’s recklessness. The casual way that he endangers and deceives everyone in the film, or how he neglects his own son to an almost condemnable degree, is never answered for. Instead, “Fantastic Mr. Fox”—dramatically revised from Dahl’s book—ends ambiguously, with its characters unchanged and the danger yet present. More puzzling than it is substantial, it doesn’t negate what was, until its very end, a happy detour for an artist...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: Fantastic Mr. Fox | 12/4/2009 | See Source »

...could be that the creative slump punctuated by 2007’s stunningly bad “The Darjeeling Limited” is what makes Anderson’s sixth feature such a warm surprise. It could also be that “Fantastic Mr. Fox” is a light, lovely, and clever comedy that finds the director’s vision coinciding with pure entertainment for the first time in years. A stop-motion animated riff on Roald Dahl’s classic book, the film reunites Anderson with frequent screenwriting collaborator Noah Baumbach (director...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: Fantastic Mr. Fox | 12/4/2009 | See Source »

...sure, the market for films typically branded ‘for kids’ has expanded in recent years, and “Fantastic Mr. Fox” anticipates an audience ready to take the film on its own terms. But in the spectrum between the aestheticized nostalgia of Spike Jonze’ “Where the Wild Things Are” and the ambitious visual and emotional scope of the latest releases from Pixar Studios, the film feels slightly ill at ease. By any standard other than its source material, “Fantastic Mr. Fox?...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: Fantastic Mr. Fox | 12/4/2009 | See Source »

...those terms that it asks—merely those of an open mind—the film has considerable mileage. “Fantastic Mr. Fox” is a small wonder of mise en scène, richly crafted and painstakingly choreographed, allowing for the total control over composition to which Anderson always seemed to aspire in his earlier films. Anderson’s decision to shoot an animated film comes as no real surprise. It’s the natural end of a fascination with vibrant color schemes in his films in general—a runoff from...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: Fantastic Mr. Fox | 12/4/2009 | See Source »

...reprising a more frustrated Max Fischer—the protagonist of “Rushmore,” the movie that made both him and Anderson famous. The dynamic that Ash shares with his parents, his schoolmates, and particularly his cousin add charming wrinkles where “Fantastic Mr. Fox” could have been dangerously slick...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: Fantastic Mr. Fox | 12/4/2009 | See Source »

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