Word: mrs
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Hillary Clinton because of the convergence of events that were happening at the time. It was a few days after the Monica Lewinsky story broke. I fully expected Mrs. Clinton to cancel. She was a scorned woman whose husband had just been exposed for cheating. [The exchange] went extraordinarily well and resulted in the often quoted "vast right-wing conspiracy" interview. But it required as deft a touch as I ever have...
Their early slate of theatrical releases has had mixed results. Hits included sequels Clerks II and Scary Movie 4, along with the computer-animated Hoodwinked! Another toon, Doogal, was a dog, as was Mrs. Henderson Presents. "We've been hitting singles and doubles, but when you get a lot of those, they turn into runs," says Harvey...
...then there's the challenge of managing the expectations of Mrs. Santa. Most members of the order are married--and for an impressive average of 24 years, according to the poll. But not all the wives were enamored when their men opted for the St. Nick look. "At first she thought it was nuts," says Tom Kliner of Kelowna, B.C. "Then I got her to play Mrs. Claus. She fell in love with...
...Korean War but offering a cynical take on U.S. involvement in Vietnam. MASH set the Altman attitude and technique: sprawling frescoes with crawling cameras, dozens of characters, overlapping dialogue, and a belief that life was way too messy and complex for ordinary film narratives. Any Western town (McCabe & Mrs. Miller), casino (California Split), reception (A Wedding), concert (Nashville), Hollywood power grab (The Player), L.A. earthquake (Short Cuts), country weekend (Gosford Park) or old-time radio show (A Prairie Home Companion) could be the setting for his artful chaos, which gave actors plenty of freedom, and writers nightmares. Receiving a Lifetime...
...five more films that didn't cost much and didn't have to make much. The flurry of films that followed MASH were no blockbusters, but they helped shaped a generation's idea of its own potential, and of the cinema's. Altman subverted genres like the western (McCabe & Mrs. Miller) and the private-eye thriller (The Long Goodbye) with equal parts energy and anomie...