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...apply for U.S. citizenship; he did not want to stop being a Russian. "As artists," he said, "we must be able to play what we want, where and when we want, with whom we want." That creed is perfectly acceptable in Washington, D.C., where Mstislav Rostropovich has achieved a rousing success as conductor of the National Symphony Orchestra, but last week it proved unacceptable in Moscow. In a decree signed by Soviet President Leonid Brezhnev, Rostropovich and his wife, the soprano Galina Vishnevskaya, were deprived of their Soviet citizenship as "ideological renegades." "Slava" Rostropovich called the action "inhumane and unfair...

Author: /time Magazine | Title: Americana: Man Without a Country | 3/27/1978 | See Source »

...Pennsylvania Avenue (he first played there in 1931 for Herbert Hoover), the maestro wanted to celebrate the 50th anniversary of his U.S. debut. And so he did, last week, thundering out fortissimi to an audience packed with the likes of Isaac Stern, Andrés Segovia and Mstislav Rostropovich. Carter, recalling the cherished Horowitz recording he had as a midshipman, said of his guest artist: "A true national treasure...

Author: /time Magazine | Title: People, Mar. 13, 1978 | 3/13/1978 | See Source »

...Mstislav Rostropovich-what a man! Thanks for your loff-ly story...

Author: /time Magazine | Title: Letters, Nov. 14, 1977 | 11/14/1977 | See Source »

When Rome Correspondent Erik Amfitheatrof went back-stage at the Stadt Casino in Basel to seek out Mstislav Rostropovich, this week's cover subject, the famous Russian cellist-conductor gave him a joyous greeting. "My uncle Massimo is a concert cellist," says Amfitheatrof, "and when I introduced myself to Rostropovich, he cried, 'Your face is like Mass-eemo, and Mass-eemo is my dear friend.' It was an invitation to the extraordinary warmth that pours from Rostropovich like lava from some Slavic Vesuvius." Interviewing Rostropovich's many friends and associates for our story...

Author: /time Magazine | Title: A Letter From The Publisher, Oct. 24, 1977 | 10/24/1977 | See Source »

...razzmatazz, a pastiche stitched together by Leonard Bernstein from his 1976 musical 1600 Pennsylvania Avenue. The show had not fared well on Broadway, and the music culled from it might have passed unremarked?except that the enraptured man on the podium was the renowned cellist and magnificent maestro Mstislav Rostropovich, the N.S.O.'s new permanent conductor, Washington's grandest new monument...

Author: /time Magazine | Title: The Magnificent Maestro | 10/24/1977 | See Source »

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