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...leading actors and a script that uses verbatim testimonies from the two years of hearings that began in April 1996, Truth in Translation is innovative, surprisingly funny in places and consistently moving. The raw gospel lament by one witness, Mrs. Mtimkhulu, for her dead son, sung by Thembi Mtshali-Jones at the end of the first act, has extraordinary power, leaving the audience in pale shock as the interval lights come up. But Truth in Translation is more than a remarkable stage production. It is a testament to the human need to reconcile, and an examination of our capacity...

Author: /time Magazine | Title: Letting Bygones Be Bygones | 3/1/2007 | See Source »

...conference, the first of 10 expected to be held within the next year, featured Dr. Glaudine Mtshali, South Africa’s health representative, and Eric Sawyer, co-founder of the AIDS activist group ACT-UP New York, as guest speakers. SGAC addressed the scale of the AIDS crisis and its connection to gender, drugs and debt in developing nations. It also provided information on how to build coalitions, deal with media and motivate people to write letters to Congress...

Author: By Nalina Sombuntham, CONTRIBUTING WRITER | Title: AIDS Campaign Holds Vigil | 11/5/2001 | See Source »

Their poetry often flares with a sense of lost grandeur, as in Oswald Mtshali's lines about King Shaka: "Lo. You can kill me/ But you will never rule this land." That proud defiance is perhaps best epitomized today by Chief Mangosuthu Gatsha Buthelezi, chief minister of the KwaZulu territorial government. Buthelezi, 49, is relentless in his condemnation of white supremacy. He has insisted that his government will not take an oath of allegiance to the South African government. In that resistance, he believes, the tribe is fighting the last Zulu...

Author: /time Magazine | Title: The Nation: The Zulus: People of the Heavens | 9/6/1976 | See Source »

...Oswald Mtshali...

Author: /time Magazine | Title: The World: Inside Sprawling Soweto | 6/28/1976 | See Source »

Most residents are doomed to obscure jobs in Johannesburg, where they must face apartheid constantly and always carry the "reference book" that Soweto-born Poet Mtshali calls "the document of my existence." These passbooks−which must be produced, on threat of jail, whenever a policeman demands one−include photographs, place of residence, employer, taxes paid and special curfew privileges if any. The average black salary in Johannesburg is $140 a month, only slightly more than the cost of living for a family of five in the box houses of Soweto. Average white salaries, in contrast, are at least...

Author: /time Magazine | Title: The World: Inside Sprawling Soweto | 6/28/1976 | See Source »

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