Word: much
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Dates: during 1940-1949
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Spokesman for the Protestants, Dean Walter Russell Bowie of Union Theological Seminary, began by reminding readers that "Protestantism and Roman Catholicism are both in their own conception interpreters of one and the same gospel- the gospel of God as revealed in Jesus Christ. Furthermore, Protestants can sincerely admire much that Roman Catholicism specifically represents . . . What then . . . are Protestants concerned about...
...much is known about Yuma Man, for no Yuma skeleton has yet been found. He may or may not have been an ancestor of modern Indians. He made beautiful and characteristic stone weapons, and seems to have lived not long after the glacial period. But no one knows what his clothes or shelters were like. He was certainly no stickler for public sanitation. Jumbled together on 625 square feet of ground were bones of more than 40 buffalo. Among them were fire sites and stone chips flaked off in making new weapons. Apparently Yuma Man, unmindful of smells and flies...
Last week Iowa-born Scripter-Novelist Kent explained to the New York Herald Tribune what makes Portia and other sudsy heroines click: "Every soap-opera heroine ... is, by definition, a much stronger person than her husband or any man in her orbit . . . Possibly the Amen can woman feels actually so dependent, economically and emotionally, on her husband that she has to appease her insecurity by identifying herself with one or more soap-opera heroines whose husbands can have no secrets from them . . . [This heroine], swayed, as she is always saying, only by her love for her husband and children...
When she got to the piano, she didn't have much idea of what she was going to play. She has never worried much about that. "If the crowd is noisy, or I don't feel so good, I just play some of my old arrangements and get out," says Mary Lou, flashing her white teeth. "If I feel like it and the crowd is good, then I just settle back and maybe do a little composing right on the spot...
...stranger) tries to pass himself off as the returned prodigal, the real son returns to his parents amid great rejoicing. But in the Lemonade Opera's church-basement opera house, even John (Man in the Moon) Gutman's fine translation and adaptation failed to give the action much charm or excitement...