Word: much
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Dates: during 1940-1949
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Like many U.S. companies with subsidiaries overseas, Ford Motor Co. has had more than its share of headaches from its foreign holdings, less than its share of profits. A complicated corporate setup has not helped. Much of the stock of eleven European and Middle Eastern Ford companies is owned by the Ford Investment Co., Ltd. of Guernsey, in the Channel Islands, a company which in turn is owned by Ford Motor Co., Ltd. of Britain, in which the U.S. company has a 59% interest...
Movie stars and lesser folk who dropped into Los Angeles' Brown Derby, La Rue's and Romanoff's restaurants last week found little warning cards on the tables. The warning: don't eat our steaks. At $5.50 to $7.50 apiece, they were "entirely too much," because of the rise in wholesale costs. Begged La Rue's: "Stop eating steaks for awhile and bring these prices down...
Slackly written and strewn with loose ends, the melodrama is robbed of much of its inherent tension by overacting. But it has a variety of unpretentious and believable sets (notably those around its drugstore corner) put together by someone who knew sidestreet architecture and atmosphere. By even so modest a merit-and by trying to be nothing more than the slight time killer it is-Tension manages to be more entertaining than some of Hollywood's grander products...
...scriptwriting catches so much of the vitality and fire of rabble-rousing politics, it is a pity that it also uses some too-familiar materials. When a henchman gets out of line, Stark's actions recall a dozen gangster movies: backed by a tiny, shifty-faced gunman, he props his feet on the table, snarls from the side of his mouth and turns his victim into quaking jelly; filled with lead from an assassin's revolver, Stark babbles improbable curtain lines that too carefully-dear up any audience doubt as to his power-mad aims...
...unsuccessful playwright on Broadway, he joined Warner Brothers as a scripter in 1936, piled up plenty of screen credits (They Won't Forget, Dust Be My Destiny, Edge of Darkness) but not much satisfaction. In 1946 he branched out as a writer-director (Johnny 0'Clock), then tried just directing (Body and Soul). Next, having set up Robert Rossen Productions through a financing-distributing deal with Columbia, he became a producer (The Undercover Man). His latest film is his first crack at writing, producing and directing all at once...