Word: much
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Dates: during 1960-1969
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...Neill was replaced by a man much like himself-i. e., all things to all Unionists-Major James Chichester-Clark. Clark agreed that there should be reform. He said however, that reforms, since they were liable to upset Ulster, would have to be carried out slowly and carefully and he proposed a slow timetable of reform. Furthermore, he insisted that the practical details of reform would have to be worked out by a Unionist Commission. In essence, Chichester-Clark promised voting rights for all but said that new district lines would have to be drawn and that the Unionists would...
...LOOKS much cheerier at the Loeb Experimental Theatre, where productions are put together for peanuts and performances are given for free. While the schedule is not definite yet, all three projected programs and one of the amazing things about the Loeb is that the productions are put together by people in their spare time, most of whom have no serious dramatic training. But equally amazing is the fact that these people, with no theatre department and the crap that goes along with it, should do plays that are conventional, run-of-the-mill university theatre department type stuff...
...Village, a community of ex-dope addicts. It was one of last season's biggest off-Broadway successes. This will be followed by Le Treteau de Paris' stark production of the Anouilh Antigone, which, when I saw it four years ago, struck me as an unusual presentation of a much too frequently done play...
...Craft Theatre on Brookline Avenue has also opened with one-acters, Martin Duberman's Metaphors and Terrence McNally's Tour and Sweet Eros, the latter having much nudity. Mr. McNally, by the way, is a young Cafe La Mama playwright who is crazy and vulgar and generally wonderful. It's nice to see his work being done all over the place...
Following the one-acters at the Craft will be the first Boston production of Dale Wasserman's dramatization of the Kesey novel, One Flew Over the Cuckoo's Nest. This play was first performed on Broadway about six years ago, and flopped-presumably because this was before anyone much had heard of Kesey. The play got creditable reviews, particularly considering that it was before its time, and the Craft's decision to revive it at this time is both inspired and fortunate...