Word: much
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Dates: during 1960-1969
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Perry added that the new single-year program will include some class training to make up for the lack of internship. However, he said that recent MAT candidates have brought much more teaching experience with them than students have in the past. "Five years ago we got dewy-eyed Wellesley graduates who wanted to change the world," he said...
...born, so they belong to the indistinct memory of books, to the chronicle of another age. It's sad to think of what we missed. And it is possible to be nostalgic for a world we never knew. This must be why the still fixity of photographs recalls so much, why an album of snapshots from James Joyce's Paris days is as suggestive as Ulysses...
...time was paralyzed; the photographs included in Diaries III encourage an emotion very much like what we have when looking over the family album. Only instead of a vague reminiscence, the thought of relatives we knew ten years ago, there is a jarring of the intellect; the moment of rebellion is stunned into life. Edgar Varese in his studio. Nin printing her own works in an attic on Macdougal Street, Robert Duncan as a boy: they all appear, either as apparitions in the photographs or in the text...
...variousness of tone and emphasis in Hawthorne and Griffith. He builds a drama of natural behavior in a specific social, rather than ideal, setting. Griffith's abstractions and idealization disappear and with them the need to assault the audience with quick cutting to put across the characters' emotions. A much more direct realization of his material characterizing Seastrom's work. makes this work simply a powerful rendition of a story of thwarted love...
...distortion and intelligent rather than self-indulgent. His solos offer neither the bludgeoning egotism of Jeff Beck. nor the excellent yet ultimately tedious work of Eric Clapton; neither the excessively frenetic passagework of Alvin Lee, nor the elegant but limited solos of George Harrison. Page has a much better grasp of the organically developing long line than Eric Clapton, whose style of repetitious punctuation suggests a less sentient man. But Cream was organized around the drums while Led Zeppelin is organized around the counterpoint of lead guitarist and vocalist. Nor does Page have to contend with the supernaturally inane lyrics...