Word: much
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Dates: during 1960-1969
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PRESENT AT THE CREATION, by Dean Acheson. In these well-written memoirs, Harry Truman's Secretary of State recalls the formative years of the cold war with much wit, knowledge and insight...
...Behavior section this week, TIME examines one body of dissidents whose voice, while comparatively muted until now, promises to grow much louder in the months to come: the militant new feminists of the Women's Liberation movement, who regard themselves as one of the most discriminated-against groups in American life today. The story was written by Ruth Brine, who was valedictorian of her class at West High School in Waterloo. Iowa, a Phi Beta Kappa and editor of the literary magazine at Vassar, and took a master's degree in journalism from Columbia. "Then, as any feminist...
...present. Renoir cuts to a radio in her room, following the announcer's voice. The room is bright and elegant, unlike the night-time of the airfield-and full of ornament. Her dressing table overflows with gleaming toilette articles. A mirror atop it reflects her maidservant twice, filling much of the frame with her image. Very little of the rest of the room appears, and although the space over her shoulder is quite deep, this depth gives us no idea of the order of the place, although her femininity and high social class have been very strongly established...
...constant action Rules is consistent with Renoir's earlier films, constructed not on clearly patterned moral relationships but on the process of events. What unifies his works in the thirties is not the working-out of themes in a film so much as the constant detail-in-motion of social and personal life. All actions tend to equal importance as Renoir gives each character minor mannerisms and gestures to fill each moment. A surface of action gives his films a continuity of realistic events...
...Rules is much more stylized by Renoir's quick cutting Rather than following a few characters for a long time. Renoir cuts away to some other relationship, breaking up his normal realistic exploration of spaces and events. But dramatically Rules still works as a continuous surface of events-personal events more vital and unpredictable than before. Each character's actions express him, not indirectly in mannerisms which type him, but in direct self-assertions. The rapid succession of strong personalities and events is disturbingly confusing...