Word: muchness
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...Infinities,” his twentieth novel, is somewhat disappointing, it should come as no surprise that Banville still chose the perfect title to describe his work. In this book, Banville smoothly brings together unbounded ideas and weaves them in mind-bending ways, much like a mathematician might with grand mathematical concepts. He opens new worlds and twists truths (if infinity encompasses everything, there can’t be more than one), but painted with such a broad brush, Banville’s novel comes across more theoretical than credible—an illusory exploration of reality and family...
This choice especially hinders the female characters of the book. Where Adam Godley’s thoughts, even in his coma, develop with nuance, the women of the book come across one-sided. Petra, Adam’s melancholy daughter, spends much of the book defined by her stone-like name; her mother rarely acts unless to pour herself a drink. This may be a reflection of the confined place of women within the Godley household. Women, it seems, didn’t have much place in Adam’s math-filled mind. “One I drove...
...location to spark ironically amusing dialogue. The airport, where Kirk works as a TSA agent along with his friends, provides a humorous backdrop for their conversations about Kirk’s relationship with Molly; instead of moving the lines through his security check, as a TSA agent, Kirk spends much of his time at work chatting—offering an explanation as to why airport security lines are so long. In another scene, Kirk and his friends go around on an empty baggage carousel as they discuss Kirk’s latest mistake with Molly. The irony of these settings?...
Bizarre Animals is certainly a unique event, but it looks as if it may not be the last of its kind. Wing credits much of the project’s success to the Museum of Natural History and its commitment to bringing all kinds of new, innovative programming to its patrons. Elisabeth Werby ’72, the Executive Director of the Museum of Natural History, expressed great excitement about these projects in an emailed statement...
...popular/classical concept of the Prologue seems to get dropped in the Opera; the harlequins stop being band members and become, somewhat disappointingly, actual harlequins (although one does wear sunglasses). The Opera itself could be substituted in any other production of “Ariadne auf Naxos” without much loss of continuity...