Word: mucks
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Dates: during 1910-1919
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This is the thirty-fourth season of the orchestra, and under the leadership of Dr. Muck as conductor, and with a personnel but little affected by the European conflict, it is hoped that this will be an entirely successful season. The announcement of the Boston season includes the names of some of the most distinguished musicians that the profession affords. The soloists will be Mesdames Julia Culp, Elena Gerhardt, Florence Hinkle; and Messrs Pasquale Amato, Harold Bauer, Leonard Borwick, Ferrucio Busoni, Osip Gabrilowitsch, Frizt Kreisler, Jacques Thiband and Anton Witek...
...twenty-fourth and last Boston Symphony concert this season will be given in Symphony Hall this evening at 8 o'clock. Dr. Muck will conduct the orchestra in the following program...
...Boston Symphony Orchestra will give a concert in Sanders Theatre tomorrow evening at 8 o'clock. Fritz Kreisler, violinist, will be heard for the last time during his present tour of New England. He will play Tschaikowsky's concerto, while Dr. Muck and the orchestra will render Chadwick's Symphony in F Major, number 3; Wagner's "Siegfried's Idyl"; and the overture to "Tannhauser" Single tickets for the concert, at 31 each are on sale at Kent's bookstore...
Although there have been wild moments in the past when the editors of the Harvard Monthly rushed about indiscriminately with muck-rakes, the magazine has usually disregarded literary fads and enjoyed a conservative reputation. The Monthly is still conservative in appearance; no artist's model smirks on the cover; but the contents of the excellent November number show here and there ravages of the bacilli that beset the ten-cent magazines, Mr. Petersen, for instance, has caught the--Red Blood Craze. His cattleship story called "Murph"--well-constructed and boldly written and vivid as it unquestionably is--is too full...
...number contains several cuts, among them one of Dr. Karl Muck and one of Mr. Foote; also a well-written review of the life and works of Massenet, by T. M. Spelman '13, and an account of the plans of the Harvard Opera Association, by N. Roosevelt '14. Edward Royce '07 has contributed a graceful piece for piano-forte, and there is editorial comment and other reading. The composition of the magazine both as regards type and paper is excellent...