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...husband to India, falls in love with a Hindu raja, The Holder of the World surely will be remembered as Bharati Mukherjee's finest rendering of a woman's story yet. There is no question that Mukherjee's creative use of a historical tableau--Puritan New England, Mother England, Mughal India--in her new novel demands a more intense reading than was needed for her previous stories of Indian women and their immigrant experiences in a contemporary North American context, but Mukherjee is doing much more than transporting the woman and her place in a cultural encounter back three centuries...

Author: By Anita Jain, | Title: Mukherjee Explores Private Lives and Public Histories | 12/9/1993 | See Source »

...northern town of Ayodhya and razed it. Never mind that the Supreme Court of India, eager to preserve the nation as a secular state in which all religions are respected, had ordered that the mosque be left alone. The existence of the mosque, built by a nobleman of a Mughal Emperor in 1528 on the spot where the Hindu god Rama is said to have been born thousands of years earlier, was deemed an insult by many Hindus, egged on by politicians eager to convert fervent faith into political power...

Author: /time Magazine | Title: Holy Work Destroys All Peace in India | 12/21/1992 | See Source »

...students enrolled in Fine Arts 126y, "Art and Architecture of Mughal India," will travel to India in December and January to study the subject first-hand...

Author: By Andrew Chen, | Title: Fine Arts Class To Travel to India | 10/3/1992 | See Source »

Carpet knotting was introduced to India in the 15th century. The weaver's art took root and quickly spread through the subcontinent. Masterpieces from Indian looms decorated the palaces of Mughal emperors but remained obscure to the West until the 1851 Crystal Palace Exhibition in London. The result: a profitable European market was opened, production increased to meet demand, and, inevitably, standards and quality declined. Erwin Gans-Ruedin's Indian Carpets (Rizzoli; 318 pages; $85) is a particolored object lesson in how art is overtaken by commerce. Carpets and rugs from the 16th and 17th centuries demonstrate...

Author: /time Magazine | Title: Books: A Library to Celebrate the Holidays | 12/10/1984 | See Source »

...would be too easy to call Stuart Cary Welch an eccentric. In his office on the very top floor of the Fogg art museum, secluded among his collection of documents about Persian, Indian and Mughal painting, Welch thinks and writes about things that most people don't think and write about. He carries a battered Vuiton briefcase and wears J. Press shirts spackled with paint, spotted with holes, striped with tradition. He has a tendency, as one of his friends says, to "show up in sweaters that have been worn day in and day out." He is independently wealthy; there...

Author: By Robert O. Boorstin, | Title: Hostage Iranian Miniatures | 5/1/1980 | See Source »

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