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...apogee of excess, however, was a $3 million extravaganza staged in Paris by Thierry Mugler, who took over the Cirque d'Hiver to celebrate his 20th year in the business. A standing-room-only crowd of 1,700 watched as nearly 100 models and dancers cavorted on a multilevel stage. He had the finest flowering of supermodeldom, plus drop-ins by former Hitchcock star (The Birds) Tippi Hedren-one of whose gowns was decorated with feathers-and heiress Patty Hearst. Mugler is about the only person left who presents corsets and bustiers, but at least he made them sexy...

Author: /time Magazine | Title: A NEW TOUCH OF CLASS | 4/17/1995 | See Source »

Somebody forgot to tell Thierry Mugler about '90s frugality. The Paris show introducing his fall collection last week was so brazenly theatrical that even the drag queens in the audience were taken aback. Supermodels like CLAUDIA SCHIFFER (with a swirly 'do) shared the catwalk with celebrities TIPPI HEDREN and PATTY HEARST, who stripped (somewhat awkwardly) down to sequins. Mugler wowed the crowd with ensembles made of tight black plastic, skirts that bloomed up from the waist and a robot suit that took six months to make. Said the designer to Le Figaro: "You can understand...

Author: /time Magazine | Title: People, Mar. 27, 1995 | 3/27/1995 | See Source »

Named after Vogue magazine, the underground craze now seems posed -- er, ! poised -- to break into the mainstream for its 15 minutes of fame. Fashion designer Thierry Mugler imported two voguers from New York to camp it up on the runway at his recent Paris show, and teens are getting glimpses of vogueing in a music video playing on MTV, singer Taylor Dayne's Tell It to My Heart. The craze has already spread to Chicago. Predicts New York City video producer David Bronstein: "I see a lot of choreographers who could be influenced. I see a big crossover there...

Author: /time Magazine | Title: Living: They're Puttin' On the Vogue | 5/22/1989 | See Source »

...this sort of thing happens with regularity in the theater of fashion. After the show, fans review the designers with the kind of blurbs that usually run in block letters in movie ads. Lagerfeld was tops, Ferre was a knockout, Armani's still the master, Montana was wild, Mugler was a kick, Saint Laurent is still the high priest, and what about these Japanese, anyway? America tends to a greater uniformity of style, mostly because of heavier commercial pressure from a larger market. So Bill Blass becomes classic, Ralph Lauren classic, Calvin Klein classic, Perry Ellis classic, and what...

Author: /time Magazine | Title: Living: TheTheater of Fashion | 5/9/1983 | See Source »

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