Word: muldaur
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Dates: during 1970-1979
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...girls to play the piano, not phallic bass guitars. Rock was blues electrified, rough music from back of the barn. English groups who adopted the sound in the late '60s did little to improve the image with guitar smashing and satanic prancing. When 16-year-old Singer Maria Muldaur proudly brought home her first recording contract, her mother immediately tore it up. Says Maria: "She was afraid it would lead me into white slavery...
...Adamson's elaborate efforts at surrogate motherhood. Elsa, the Adamsons' lioness, has turned into a kind of feline Lassie, roaming the remoter reaches of the green hills of Kenya, where she can weekly rescue or be rescued by the guest stars. As the Adamsons, Diana Muldaur and Gary Collins provide the discreet exposition linking Elsa's exploits together. Muldaur is also required to voice-over a narration that weekly spells out whatever moral Elsa's behavior has pointed up. On these occasions, one cannot help wishing that Mr. Ed, TV's departed talking horse, could...
...Watson, the great blind banjo and guitar picker, is appearing at the Performance Center I this week with Geoff Muldaur. Watson played in Cambridge this spring and was a resounding success; country music seems to be getting popular in Cambridge at last. Geoff Muldaur is Maria's husband (or maybe ex-) and a holdover from the early-sixties folk scene; according to popular legend, when he was a teenager he hitchhiked from Boston to East Texas with a broom to sweep off the grave of an obscure early bluesman. In any event, he used to perform in a duo with...
...Director Roley does not enhance audience involvement by shooting everything through a diffusion filter. Obviously derived from The Birds, Chosen Survivors is also strictly for them. Or maybe for the made-for-TV movie market, where most of the cast - Jackie Cooper, Alex Cord, Richard Jaeckel, Bradford Dillman, Diana Muldaur - customarily find work...
WENDY WALDMAN-- Waldman's career as a balladeer got a surprise boost when Maria Muldaur's album, including two of Waldman's songs, became an unexpected hit this year. I have never heard Waldman's voice, but Passim rarely indulges in second bookings for artists unless they manage strong audience response the first time around. Waldman's two cuts on Muldaur's album were more promising musically than lyrically, and the lyrics were as good as most of the ballads you hear nowadays anyhow...