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...HICKS, MARIA MULDAUR--At press time, it was still impossible to tell whether the Hot Licks had given their Hicks up, or if Dan Hicks had simply gotten in his last licks. In either case, Hicks, sans Licks, will appear Sunday night at Symphony Hall, probably playing the same undefinable mish-mash of rock, jug-band, and jazz-type numbers he played with his group. Nobody on the newsboard had any of his records, so I dug up one semi-authoritative opinion: "His music's like thirties' jazz mixed in with a soap commercial." But the consensus...

Author: NO WRITER ATTRIBUTED | Title: Rock and Jazz | 10/18/1973 | See Source »

...MARIA MULDAUR AND LEON REDBONE. Thurs. Oct. 4 through Sat. Oct. 6 at the Passim Coffeehouse, 492-7679 for information...

Author: NO WRITER ATTRIBUTED | Title: Rock and Jazz | 10/4/1973 | See Source »

...MARIA MULDAUR. Muldaur has emerged from a career of background harmonizing, singing for Jim Kweskin, and making only promising records with her husband Geoff to become a highly original solo interpreter and exciting stylist in her own right. Passim should provide the perfect arena for her talents; when Passim was the Club 47, Muldaur was reportedly responsible for some of its finest moments...

Author: NO WRITER ATTRIBUTED | Title: Rock and Jazz | 10/4/1973 | See Source »

...Geoff Muldaur, who co-founded the Kweskin Jug Band and was with them up until it disintegrated in 1969, is one of the main reasons Better Days is so different from Butterfield's previous band. Muldaur is an adept slide guitarist who carries several blues styles with him. He also contributes betwixt-and-between vocals (which are even better in live performance) and comes up with enjoyable arrangements. The drummer, Christopher Parker, is perfect in his blues discipline, delivering a steady, unadorned beat. He and bassist Billy Rich make up a solid, healthy rhythm section. Then we come to Butterfield...

Author: By John Porter, | Title: Blue Magic | 5/22/1973 | See Source »

Conceivably, the best thing on the album is Better Days's version of Big Joe Williams's "Baby Please Don't Go." The tune is very well mixed, so if you listen through headphones you can hear Muldaur's glassy slide guitar on the left channel and Amos Garrett's lead guitar on the right, both in conversation with Paul's biting harp way up in the mix. Muldaur and Butterfield grind out the vocals una voce and, in the company of Maria Muldaur's (Geoff's wife) restrained fiddle, the band displays one of the best personal interpretations...

Author: By John Porter, | Title: Blue Magic | 5/22/1973 | See Source »

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