Word: mullane
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Dates: during 1990-1999
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...Crimson kept it even for the first 10 minutes, but in the 11th minute the Jays split the Harvard defense with a ball out of the midfield and Creighton forward Brian Mullan connected with the back of the net only seconds later...
That being said, there were three amazing things about the film. First, the two child actresses are phenomenal. Bella Riza (Bea) and Carrie Mullan (Lucy) remain natural and true throughout the entire movie. I haven't seen child acting like this since Anna Paquin in The Piano. Secondly, the male lead, Said Taghmaoui, was fascinating to watch. He can speak to the camera with a simple lifting of his eyebrows. And lastly, as I said before, the cinematography is impeccable--think of the breath-taking desert shots in The English Patient and add some mysteriousness; it's entrancing...
...catchy title--Hideous Kinky--but it doesn't mean anything. It's just a nonsense phrase that sets two little girls named Lucy and Bea (Carrie Mullan and Bella Riza) to giggling. Certainly it doesn't catch the patient, tender tones of this gently exotic movie or the spirit of the girls' mum, Julia (Kate Winslet). "Sweetly addled" comes closer to the mark. Or maybe "daftly dreamy...
...movie begins as things begin for recovering alcoholic Joe Cavanagh (Mullan), with the regular renewal and ritual therapy of an AA meeting (hence the title). Indulging in a sort of self-forgetting one might expect of someone with a blacked-out past, Joe throws himself into what he calls his family: coaching the local soccer team, a sorry lot of unemployables. Chance encounters and friend Liam lead Joe's path to intersect with social worker Sarah (Louise Goodall), who meets regularly with Liam, his wife and his "wean" (that's "child"; derived from "wee 'un"). Joe helps wallpaper Sarah...
...Needless to say, the whole thing gets horribly depressing. What did you expect? But Mullan evokes Joe's momentary relapse mesmerizingly--the image of a riff opening awesomely to inner infernal domains about describes it--and it's sudden and wrenching, more than a predictable downward spiral style. It's something to look forward to, as a change of pace from the sentimental (though heartfelt) scenes between Goodall and Mullan...