Word: muller
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EDITORIAL DIRECTOR: Henry Muller...
...most fascinating and disturbing part of the films is when Riefenstahl must face the questions raised by her association with, and work for, the Nazis. From this segment, Muller takes Riefenstahl back to the old Nazi parade grounds outside of Nuremberg...
This is a hard line for Muller to swallow, and he presses Riefenstahl to defend her opinions against critics who say that "Triumph of the Will" was a glorification of the Nazis...
...Triumph of the Will" an example of great art? Which is more important, the film's status as a technical masterpiece, or its content, which seems to praise one of history's most evil ideologies? These are the difficult questions that Muller leaves the viewer to consider...
...feminist pioneer, or a woman of evil?" Muller's otherwise exhaustive film does not answer the question. But it does a brilliant job of illustrating the superb talent, the energetic drive and the moral ambiguity of Leni Riefenstahl...