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Sandy Dennis as Teresa Phillips and Phil Silvers as Frank Foster are the outs. It is her husband. Bop Phillips played by Richard Mulligan, and his wife, Fiona Foster played by Bernice Massi, who are having all the fun. Frantic to avoid discovery of their adultery, Fiona and Bob involve the Detweilers to explain away nights spent on the town. Meek Mary and wiggy William Detweiler tiptoe into the confusion, unaware that they are being used as excuses by the lovers. Sin is fun, and in the end Teresa and Frank discover the truth, but not before the cuckoos have...

Author: By James Morgan, | Title: Theatre I How the Other Half Loves at the Wilbur | 3/18/1971 | See Source »

...drink and other women, and we were glad we did not have to see more of her. On the other hand, we wish that we had seen more of Bernice Massi, for she was every bit the type of woman we would like to be driven to. Richard Mulligan as Bob Phillips and Jeanne Hepple as Mary Detweiler were good, but Tom Aldredge as William Detweiler over-acted his part, forcing laughs from the audience, which subtracted from the thoroughly professional performances of the others...

Author: By James Morgan, | Title: Theatre I How the Other Half Loves at the Wilbur | 3/18/1971 | See Source »

WHEN I got to Mulligan's Junction, Ga., on my trip South, I wanted to go on to Pelican Swamp, and I asked the old Yankee conductor of the Lightning Express when it would leave for that point. "Wal," he replied, chimerically, "if Bill gets the wood sawed and split for the ingine, and- let's see- tomorrow's the 1st of the month, that's washin-day, if Nancy, that 'ere old niggeress don't use up all the water, and if there should happen to be another feller or missis going your way, and if there...

Author: NO WRITER ATTRIBUTED | Title: Through the Past, Howsomever- The Crimson, 1876 | 2/12/1971 | See Source »

...with forked tongue, that the first Americans were maltreated as the last savages. The Battle of Little Bighorn, which should be the film's climax, is its weakest point. General Custer is pure Pig on the Prairie, babbling insanely as the consummate racist militant. As overplayed by Richard Mulligan, he could be sectioned, labeled Swift's Premium and sold in butcher shops...

Author: /time Magazine | Title: Cinema: The Red and the White | 12/21/1970 | See Source »

Toperoff suffers through it all-setting out each morning in the delusion that he is a god who will ordain the outcome of the race, often going home at night a broken peasant, cursing the fates. In effect, he becomes existential man, laughing at his own rueful destiny. When Mulligan dies, he makes Toperoff promise to bet all his meager savings in one last post-mortem race. It is his horseplayer's fitting, feckless (not to mention luckless) bid for immortality...

Author: /time Magazine | Title: Books: Exquisite Angst | 6/27/1969 | See Source »

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