Word: mulligans
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Dates: during 1960-1969
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...disposal, he devotes most of it to the principal episodes: Stephen's soliloquy on the beach, Bloom's trip to Paddy Dignam's funeral, Bloom's brangle with the one-eyed Fenian in Kiernan's pub, Bloom's meeting with Stephen at Buck Mulligan's brawl, the nocturnal visit of Bloom and Stephen to Bella Cohen's brothel, Molly Bloom's magnificent end-spurt of soliloquacity...
...brightest, slickest comedy of the opening week was The Hero (NBC), out of the same shop and mold as last season's hit, Get Smart. Richard Mulligan is cast as an actor who is cast as an actor in a TV western series. In real life he is a suburban dude and a sort of all-round schlemiel. Between (and sometimes during) takes, he is horse-shy, allergic to sagebrush, and as rugged as Mr. Peepers. But the sight gags are inventive, and the dialogue is literate. The only other situation comedy worth a twirl is That Girl...
...HERO (NBC, 9:30-10 p.m.). The foible-filled private life of a TV-western idol who's absolutely terrified of horses and allergic to sagebrush, featuring Richard Mulligan...
Harvard has a big edge in the mile and two-mile runs and should sweep the first two places in both events. Neither Ben Henneke nor Ted Mulligan--Yale's milers--are of any distinction...
...self-satire is also a corridor of mirrors where movie makers are apt to start cringing at their own shadows. In adapting his novel to the screen, Scenarist Gavin Lambert softens the tone of merry irreverence and moves the action back to the comfortably distant 1930s. And Director Robert Mulligan never quite decides whether to play for heartbreaks or black humor. The strain tells on Robert Redford, a deft actor, miscast as Daisy's neurotic, one-night-stand husband who establishes his virility beyond reasonable doubt before being written off unconvincingly as a homosexual...