Word: multiformations
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...irony at times seems to overwhelm the reader, that too is part of his message: the French are so full of contradictions that he can only explain their affection for "this huge, embarrassing figure" of De Gaulle by noting that the general himself is just a "vast, multiform and moving contradiction...
...science). Descendants of the naturalists and students of natural history, ethologists, such as Lorenz and Tinbergen, demand observation of behavior unchanneled by experimental hypotheses: "Ethologists believe that all facts on behavior must be acquired before any hypotheses are formulated. They have come to this conclusion because behavior is so multiform that a wealth of evidence can always be compiled in support of any theory, no matter how capriciously constructed." (E.H. Hess, "Ethology: An Approach toward the complete analysis of behavior," New Directions in Psychology; New York, 1962.) One need not then stamp off in a scientific rage on reading...
This new function of a large university, Pusey maintained, is also an advantage to the undergraduate body. "If the college now has something special to say to undergraduates," he declared, "we are confident this is owed in large measure to its setting in the midst of a multiform dynamic University with a vital outreach into the world...
Harvard College grew strong with the growing University. It has experienced steady improvement for a hundred years. It was especially advanced by President Lowell's devotion to curricular change and multiform development, above all by his establishment of the House system. No one in all Harvard's history cared more for the College than he. And, after him, President Conant set himself no less steadfastly to strengthen this part of the University. Mr. Conant's new scholarship and fellowship programs advanced the claim of the College to be a truly national institution attracting more and more of the exceptionally able...
...been interpreted as the symbol of wisdom on the one hand and of evil on the other, the raven as a sign of death and of victory. To the Egyptians the hawk represented the sun god; to early Christians the goldfinch depicted the crucifixion. Seldom has this multiform fascination been better illustrated than in the 160 paintings, bronzes, jugs, vases and primitive musical instruments on show last week at the Seattle Art Museum, a display ranging from a bird-shaped Chinese ritual vessel done around 1100 B.C. to the hopping-mad, moonstruck sea gulls and cranes of Northwest Moderns Mark...