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Marcel Duchamp, the French Surrealist, labeled as "art" a battered bottle rack, a defaced poster of the Mona Lisa and a mass-produced urinal. He perceived art all around in the vernacular world. The question pondered in THE MYSTERIES, a multimedia enchantment at Harvard's American Repertory Theater, is whether vernacular life itself -- the life of mating, domestic squabbles and old age -- can constitute a sort of art. At times the idea is posed literally, as when writer-director David Gordon places an ornate frame around actors engaged in a mock wedding. At other times the "mysteries" of creation...

Author: /time Magazine | Title: Theater: Framed, but Is It Art? | 9/23/1991 | See Source »

This historical exhibit is typical of the aggressive multimedia style that will characterize the National Civil Rights Museum when it opens its doors in Memphis at the end of August. Here the sit-in movement will be commemorated by four mannequins seated at a Southern lunch counter as the wall behind them broadcasts footage of the taunts and attacks of an actual white segregationist mob. Will these exhibits be inspiring, living history or a parody of the Disney style? What is one to make of a museum whose board chairman, Tennessee Circuit Judge D'Army Bailey, says seriously that...

Author: /time Magazine | Title: The Glory and the Glitz | 8/5/1991 | See Source »

...quickly becoming as expert in the arcana of videotape as computer hackers are in the world of bits and bytes. In fact, many video hackers have mastered both worlds, plugging their camcorders into computers to explore a burgeoning new field known variously as computer video, desktop video or multimedia...

Author: /time Magazine | Title: Lights! Camcorders! Action! | 7/29/1991 | See Source »

...computer makers will seek to develop a new generation of high- powered, multimedia hardware and software, which could be marketed under both brand names...

Author: /time Magazine | Title: Alliances Love at First Byte | 7/15/1991 | See Source »

...beauty-marks-and-all, feature-length autobiographical documentary shot during her Blond Ambition tour. The film, which opens nationally on May 17, is a celebrity voyeur's feast that draws its substance from the dark well of Madonna's life. It is her bid for serious consideration as a multimedia artiste who is more attuned to the aesthetic ideas of Martha Graham (whom she plans to play in a forthcoming film) and Isadora Duncan than to her contemporary pop-star peers. To recast a line of her favorite playwright, David Mamet: "She's eating at the Big Table now." Quoth...

Author: /time Magazine | Title: Madonna In Bloom: MADONNA | 5/20/1991 | See Source »

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