Word: multimedia
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Psychedelic Statement. If this were all, Beatlemania might be dismissed as an ingenious multimedia ripoff. But Producer Steven Leber, 34, who thought the whole thing up, and his partner David Krebs, 37, both successful rock impresarios, have tried to make some sort of psychedelic statement. "What this show really is," says Krebs, "is a panorama of changing forces within American society. In the '60s, what Bob Dylan said, what the Beatles said, really set the tone for kids in terms of drugs, obedience to authority, war, parental guidance. Not that everything they said was right. But that...
There are as many families waiting in line for the world's longest, highest, fastest, scariest roller-coaster ride (just about every park claims the ultimate) as there are for the elephant ride or the multimedia screen show or the placid monorail to nowhere. City children will spend hours playing with small animals; other young visitors may take a dozen consecutive gut-wrenching rides or spend rapt hours trailing wandering minstrels. Many TV-age adults see live shows and big-name concerts for the first time-and possibly the last, until their return to a theme park. Notes California...
...times winner of this title and anxious to retire on the seventh victory. A cool, shrewd and boyish charmer, he exudes the easy confidence of a man who has always known he will be a star of some kind (and who could, if this movie takes off, become a multimedia presence of some force). He is contrasted with Louis Ferrigno, 24, a Brooklynite trained by his ex-cop dad, an intense and excitable man who is always trying to buoy his boy's confidence. By the peculiar standards of bodybuilding, young Louis appears to be every bit as gorgeous...
...Swedish laser-research scientist from Bell Telephone Laboratories. In 1966 they started a nonprofit foundation named E.A.T., or Experiments in Art and Technology. Its announced purpose was "to catalyze the inevitable active involvement of industry, technology and the arts." E.A.T. grew out of "Nine Evenings," a series of multimedia happenings held in New York in 1966. Its biggest project...
...mysteriously avoid bumping into the coffee table, Rauschenberg dealt with fame. His instinctive response to being promoted as a culture hero was to stop making one-man art. He went back into the group, and through the rest of the '60s he worked on all manner of collaborative projects: multimedia events, dance, liaisons between art and science. Of course, the group had expanded greatly by now. It contained artists who wanted to work collectively, but there were also dozens of people who simply wanted a piece of Rauschenberg, from saber-toothed politicians' wives and Park Avenue art groupies to eager...