Word: munched
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Dates: during 1960-1969
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...Disease and insanity were the black angels on guard at my cradle," wrote Norway's greatest painter, Edvard Munch, recalling his tormented, sickly childhood. His mother died when he was four, and his physician father became a kind of fanatic, "with periods of religious anxiety which could reach the borders of insanity as he paced back and forth in his room praying to God. When he punished us, he could be almost insane in his violence." The black angels hovered over Munch (pronounced Moonk) to his death in 1944 -and they helped inspire some of the world...
Shadows in a Cell. When Munch began painting, the great new movement was impressionism. Though Munch admired and benefited from this exploration into the mysteries of light, he himself was concerned with "shadows and movements, such shadows as a prisoner sees in his cell, those curious grey streaks of shadows which flee and then return, which slide apart and come together again like fans, bending, curving, dividing." In almost all his canvases there is such tension and vibration that even a bright landscape like Midsummer Night (see color) seems about ready to disintegrate into tragedy. For Munch, nature was filled...
...unfamiliar, spread-out country world seems full of traps and tortures. Night after night, as he makes his way home through a neighboring cluster of houses, two huge dogs vault a fence and savagely escort him, his wrist held wetly in the lead dog's teeth. Caterpillars munch away half of every shrub and tree on the place. "This house has been standing here for thirty years with whole shrubs," Stern moans. "We're in it a month and there are halves...
Berlioz: Romeo and Juliet (Mezzo-Soprano Rosalind Elias, Tenor Cesare Va-letti, Bass Giorgio Tozzi; the Boston Symphony Orchestra, conducted by Charles Munch; RCA Victor, 2 LPs). Berlioz' "symphony with chorus" is given a soaring, beautifully proportioned reading by Munch, and all three soloists contribute performances that are almost without flaw. As satisfactory a performance as the work is likely to find...
Controlled Nostalgia. There was scant surprise in Boston when Leinsdorf was appointed Munch's successor; he had already made an excellent impression on both orchestra and public in guest appearances. If there was surprise elsewhere, it was only that he would be willing to give up the opera conducting that has been such an important part of his career. But despite the fact that he had started in opera-first at Salzburg, later at the Metropolitan Opera, to which he was invited in 1937-Leinsdorf found when the Boston invitation came that "my nostalgia for opera is well controlled...