Word: munched
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Dates: during 1960-1969
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...woman of dreams, the woman of lust and woman the nun," Edvard Munch once confided. The Norwegian fin de siècle painter was explaining one of his favorite compositions, which showed three women standing together-one in black, one in white, one nude. He used this trio in several different canvases, known collectively as "the Sphinx" cycle. They epitomized, as no other subject could, the shy, alcoholic bachelor's agonized obsession with that half of the human race which he never was able to understand...
...Sphinx series is far from Munch's finest work. The pictures are too busy, too fussy, too blatantly overloaded with message. Possibly because they meant so much to the artist, they lured him into abandoning his cardinal principles of art. Munch developed his spare "symbolistic" style about 1892. It was based on the elimination of modeling and minor details, on emphasizing rhythmic contours and outlines. Above all, it meant subjugating technique to subject, then crystalizing subject itself into a single unforgettable image...
...might as well not get myself killed looking for it"), the smudgers usually try to get some sleep. That's not too easy to do. If one of the smudgers has forgotten how dirty everything in the groves get and brought his car, he can sleep there and munch on the doughnuts that his admiring girlfriends brought out to the smudge barn. But most smudgers face the night without the car and have to work on the tricky problem of how to work on the tricky problem of how to sleep on frozen ground without being burned alive...
...midst of swimming pools, sprinkler systems, and ultra-modern cigarette lighters should conclude with a picture of this "professional Californian"--perhaps the precursor of a new civilization--sitting in his living room with a .22 rifle ready to blast into eternity the next squirrel that tries to munch from his laboriously-fostered grass lawn...
Died. Charles Munch, 77, famed conductor who led the Boston Symphony Orchestra with elegance and éclat from 1949 until 1962; of a heart attack; while on concert tour; in Richmond, Va. In the 1930s, Munch was the toast of Paris, where he was known as le beau Charles. Summoned to Boston to replace the old autocrat Serge Koussevitzky, the stately conductor earned the admiration of his musicians for his easy, gracious manners; Bostonians responded to his sense of drama and his flair for improvisation. A chronic under-rehearser who rarely directed any piece the same way twice, Munch...