Word: munches
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Dates: during 1950-1959
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...Symphony No. 1, by Philadelphia-born Pianist Leo Smit, 36, performed by the Boston Symphony under Charles Munch. The work, which was four years in the writing, is solidly constructed and pricked by a series of adroit, Stravinsky-like dislocations of rhythm. The strings are almost continually and often trickily active -so much so that they tend to drown out the detail of other instruments and blur the musical ideas...
Boston Symphony (Mon. 8:05 p.m., NBC). Charles Munch conducting...
...Boston Symphony couldn't get Presley; they settled for Mozart. Munch is matador to a classical host of bulls: Mozart's Clarinet Concerto. The overture to Abduction from the Seraglio, and Strauss' Heldenleben. All seats are in the shade. At Symphony Hall, tonight...
Black and white seem particularly appropriate to the Norwegian contemporary of Ibsen, Edvard Munch. The great expressiveness, the somber, even frightening quality of his colors-that-are-not-color blend with Munch's main preoccupations: death, passion, loneliness, and anxiety. As he noted in his diary, "No more painting of interiors with men reading and women knitting. They must be living people who breathe, feel, suffer and love. I will paint a series of such pictures in which people will have to recognize the holy element and bow their heads as though in church." The Graphic art which paralleled...
...collection of prints now at the Fogg Museum, Munch betrays little social consciousness. He dwells instead in the primal world of individual fantasy and frustration which give his art universal appeal. The exhibit shows that the morbid Munch was at his sardonic best between 1894 and 1900, when he created such masterpieces as The Cry and The Kiss. Later, his subject matter was more commonplace and his skill at dramatizing his ideas declined correspondingly. Although Munch might be called, after Van Gogh, the father of Expressionism, some of his prints have an affinity in style with Gaughin's flat...