Word: munches
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Dates: during 1950-1959
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...obvious affection the visitors had for the Boston Symphony, the first U.S. orchestra to tour Russia (in 1956), and for its Russian-born or Russian-speaking musicians. During rehearsals, the Russians filed into the side balcony of Symphony Hall, leaned intently over the railing, and watched Conductor Charles Munch. Kabalevsky and Composer Aaron Copland (who rehearsed his own suite from The Tender Land) alternate on the podium...
...BOSTON SYMPHONY ORCHESTRA. Charles Munch, music director. Direct from Symphony Hall. Program: KHRENIKOV, Suite from incidental music to Much Ado About Nothing; AMIROV, Mugams; KABALEVSKY, Piano Concerto; MOUSSORGSKY-RAVEL. Pictures at an Exhibition...
...best things in this exhibit, as could be expected, are the Munch and Lautrec prince Comparing the precosity and decadence of many of the Nouveau's minor works, such as the Ricketts drawings, however, to the profundity of the masters' graphics, one sees that the influence of Art Nouveau on their style was only slight and, as regards content, the decorative school had no significant impact on either Munch or Lautrec. In short, there is no real ponit for their being exhibited...
...Munch was a profound visionary and his Nouveauesque attempts at decorative simplification almost hurt his work. At his best, as he is in his famous print, Geschrei, and the marvelous tone modulations of the lithograph, Attraction, he presents a luminous picture of man's subconscious fears and desires...
...Nouveau is just beginning its vogue. New York's Musum of Modern Art plans an enormous exhibit of the school this summer and similar shows elsewhere will surely follow. Aside from the pleasant but confusing inclusion of Munch and Lautrec, the Busch-Reisinger's well-chosen exhibit gives one a full picture of the Art Nouveau--its frequent failures as well as its undeniable successes...