Word: munches
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Dates: during 1970-1979
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...S.T.O.A., for Slow Talkers of America, is being interviewed. The deliberately spaced speech of the S.T.O.A. man gradually rattles and irritates the interviewer. He begins trying to speed things up by finishing the S.T.O.A. man's sentences. It doesn't work. The S.T.O.A. man continues to munch each sentence 32 times, and the interviewer drops off to sleep as the interviewee gets in the last agonizing word. Another interview features a famed raconteur who cannot recall the punch lines to his stories but finally remembers a punch line without any anecdote to go with it. One wickedly funny...
...Warner Bros., a subsidiary of Kinney National Service, are offering to use or mention products in their movies if manufacturers will sign a contract to promote the film in their own advertising. The possibilities are unlimited. In an X-rated movie, a couple may pause in bed to munch a breakfast cereal; then ads for the movie could appear on the boxes at the breakfast table. Or a female star could extol the comfort of her Gucci shoes every time she crossed the room. In a letter to prospective tie-in advertisers, Warner officers note that "the personalities...
...Edward Munch had painted his Cry before us-that is how the RDT ends the evening. Anna Sokolow's work, Steps of Silence -a poignant conflict of men-is as powerful as Munch's gnarled Bruke Cry. A powerful piece, a powerful performance: where the Repertory Dance Theatre has begun with the strong curves of the Baroque, they have ended with the social comment of the modernist...
...husband nattering away with his auntie. Instead, in a startling departure from the script, Maggie Smith as Hedda strides silently onto the empty stage. Clad severely in white, she is pale and tense, her features a mask of mortal exhaustion and despair that might have been painted by Edvard Munch. She smokes, paces, contemplates herself in a mirror, stares moodily, doubles over in a spasm of nausea. All of the contradictory qualities that are to make up her mordantly gripping performance she foreshadows in mime: hauteur and anxiety, narcissism and feelings of revulsion toward her femininity, commanding energy and naked...
Tchaikovsky once wrote to his patroness Nadezhda von Meek: "A creative artist leads a double life, one part of it being human, the other artistic. They do not always coincide." They still don't. The real question is which Tchaikovsky will turn up on the Late Show (munch, crunch) ten years from...