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...such trends, have just recently produced a flurry of books to document this fin de siecle style. As if to dignify the Nouveau group, the scholars have even proposed a number of somewhat questionable theories about its far-reaching importance for modern painters, most notably, Toulouse-Lautrec, Edward Munch and even Monet...

Author: By Ian Strasfogel, | Title: Art Nouveau | 6/1/1959 | See Source »

...Potomac's Columbia Island Marina, pleasure boats bake like muffins in the sun. Women in shorts and bare-chested men sweat over engines, hulls and brightwork. Strung along the docks here and there, families perch like terns as they munch their sandwiches, while over at the launching ramp, a black-and-white Pontiac with a black-and-white outboard runabout in tow backs tortuously toward the water. Pontiac and runabout have matching upholstery, matching fins, matching wraparound windshields...

Author: /time Magazine | Title: Sport: Boat Fever | 5/18/1959 | See Source »

...Munch's exclusion of several soprano and alto parts, however, seemed not such a bad idea, since Saramae Endich and Florence Kopleff turned out to be not in the same league as Adele Addison and Martha Lipton, who often appear with the B.S.O. The other soloists, however, performed excellently. As the Evangelist, Hughes Cuenod stood out, his lyric tenor voice reaching every corner of Symphony Hall, although he began to tire in part two. Mack Harrell sang Jesus with great expressiveness; the most tender moment of the whole afternoon as it should have been, was his "Eli, Eli, lama sabachthani...

Author: By Walter L. Goldfrank, | Title: St. Matthew Passion | 3/27/1959 | See Source »

...most consistently good music-making of the performance was the singing provided by the Glee Club and the Choral Society. Their entrances were crisp, their diction clear (including every umlaut), and their pitch perfect. Their dramatic "Barabbam" at the turning point of the drama was frightening, although Mr. Munch spoiled part of its effect by having the organist hold the chord for ten seconds--perhaps the longest quarter note in history...

Author: By Walter L. Goldfrank, | Title: St. Matthew Passion | 3/27/1959 | See Source »

...overall effect of the concert, despite its shortcomings, was that of a deeply moving, supremely beautiful work of art, which the baroque St. Matthew Passion certainly is. Not even Mr. Munch, with his unduly Romantic approach to the score could destroy that...

Author: By Walter L. Goldfrank, | Title: St. Matthew Passion | 3/27/1959 | See Source »

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