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...another pollster, Daniel Lund of Mund Americas, says the campaign may be the beginning of major change in Mexican politics. While there may only be a small percentage of people who actually make the effort to go and annul their ballots, he predicts that the overall abstention rate will be a shocking 70%. "Politicians will not be able to ignore a level of turnout that low," he says. Lund says the voto en blanco supporters could then go on to form a new political opposition along with disaffected members of the main parties. "This movement is a response...

Author: /time Magazine | Title: Mexico's Election Rebellion: Just Vote No | 6/18/2009 | See Source »

Since the Kelley Deal 6000 formed three years ago, it has undergone many incarnations, but Deal and Mund, who met in rehab, have been the core members. They started playing as a duo, but formed a band when the touring Red Red Meat summoned Kelley Deal as an opening act. Deal is frank about her time in rehab, but doesn't go into detail about why she ended up there. Though she started writing songs after she left rehab, she insists that song writing isn't therapeutic for her and that she's not using song writing to excavate...

Author: By John T. Reuland, CONTRIBUTING WRITER | Title: The New Deal: From Riches to Rags | 10/10/1997 | See Source »

...remain accessible and gracefully simple. As expected, the live show gave many songs an urgency they don't have on the CD. However, the cuts on the album showcased Deal's song writing talent more than the show: studio technology enables Deal to sing her own harmonies, and Todd Mund effectively uses studio guitar tricks to create a colorful portrait of sound. Deal's songs often have the character of a musical sketch rather than the typical plot of verse-chorus-verse, and studio effects enhance her ability to create the haunting atmosphere that she does on tracks like...

Author: By John T. Reuland, CONTRIBUTING WRITER | Title: The New Deal: From Riches to Rags | 10/10/1997 | See Source »

...Mund's dissonant chording introduced "Future Boy," a short and volatile tune that showcased Deal's ability to convey the aggression that became a Breeder's hallmark. In keeping with the evening's quirkiness, Mund brought out a Fisher-Price xylophone for "Stripper," an irreverent waltz sung in an humorously childish voice. The Kelley Deal 6000 slowed the tempo down a bit for "When He Calls Me Kitten." This song lacked the cogency that distinguished the previous tunes. Maybe it was the crowd, maybe the sound, but this dreamy number came off as stilted and melodramatic...

Author: By John T. Reuland, CONTRIBUTING WRITER | Title: The New Deal: From Riches to Rags | 10/10/1997 | See Source »

...Nice Records, a label founded by Kelley Deal. Deal is quick to emphasize that the band is not her solo act, and that all the members are equally important. She does the majority of the song writing, but describes the effort as "mostly collaborative"--she readily accepts input from Mund on guitar parts and welcomes the suggestions of other band members. The Kelley Deal 6000 is the first outfit for which Deal has written songs, and she considers herself a newcomer to the art. She characterizes her move into song writing as "a natural progression from playing Hank Williams...

Author: By John T. Reuland, CONTRIBUTING WRITER | Title: The New Deal: From Riches to Rags | 10/10/1997 | See Source »

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