Word: munds
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Dates: during 1990-1999
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Since the Kelley Deal 6000 formed three years ago, it has undergone many incarnations, but Deal and Mund, who met in rehab, have been the core members. They started playing as a duo, but formed a band when the touring Red Red Meat summoned Kelley Deal as an opening act. Deal is frank about her time in rehab, but doesn't go into detail about why she ended up there. Though she started writing songs after she left rehab, she insists that song writing isn't therapeutic for her and that she's not using song writing to excavate...
...remain accessible and gracefully simple. As expected, the live show gave many songs an urgency they don't have on the CD. However, the cuts on the album showcased Deal's song writing talent more than the show: studio technology enables Deal to sing her own harmonies, and Todd Mund effectively uses studio guitar tricks to create a colorful portrait of sound. Deal's songs often have the character of a musical sketch rather than the typical plot of verse-chorus-verse, and studio effects enhance her ability to create the haunting atmosphere that she does on tracks like...
Having a substitute drummer didn't at all detract from the performance the band gave: guitarist Todd Mund evoked a sonic spectrum ranging from airy melody lines to bone-crunching chords with his red Les Paul; bassist Nedich aggressively propelled many of the tunes with unrelentingly rhythmic bass lines; and Deal leavened the raw power of her vocals with sensitivity. Her muscular voice never strained, and she displayed impressive range and intonation. At times she could be sweet and velvety. Then she would let loose from the diaphragm and sing a chorus with no mercy. Such was the case with...
...Mund's dissonant chording introduced "Future Boy," a short and volatile tune that showcased Deal's ability to convey the aggression that became a Breeder's hallmark. In keeping with the evening's quirkiness, Mund brought out a Fisher-Price xylophone for "Stripper," an irreverent waltz sung in an humorously childish voice. The Kelley Deal 6000 slowed the tempo down a bit for "When He Calls Me Kitten." This song lacked the cogency that distinguished the previous tunes. Maybe it was the crowd, maybe the sound, but this dreamy number came off as stilted and melodramatic...
...Nice Records, a label founded by Kelley Deal. Deal is quick to emphasize that the band is not her solo act, and that all the members are equally important. She does the majority of the song writing, but describes the effort as "mostly collaborative"--she readily accepts input from Mund on guitar parts and welcomes the suggestions of other band members. The Kelley Deal 6000 is the first outfit for which Deal has written songs, and she considers herself a newcomer to the art. She characterizes her move into song writing as "a natural progression from playing Hank Williams...