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Just after finishing his new movie about the aftermath of the massacre at the Munich Olympics, Steven Spielberg talked with TIME movie critic Richard Schickel, who collaborated with him on the TV documentary Shooting War, about his reasons for taking on Munich, his anger at the International Olympic Committee and his modest plan for improving Arab-Israeli relations...

Author: /time Magazine | Title: MUNICH: THE INTERVIEW: His Prayer For Peace | 12/14/2005 | See Source »

...even worse to those who did. I made the picture out of just pure wanting to get that story told. I thought it was important that at least my kids someday could see what happened, just to hear that story being told. I feel the same way about Munich. I don't think any movie or any book or any work of art can solve the stalemate in the Middle East today...

Author: /time Magazine | Title: MUNICH: THE INTERVIEW: His Prayer For Peace | 12/14/2005 | See Source »

...HUMAN. YOU FEEL FOR THEM ALL. Right. I think the thing I'm very proud of is that [screenwriter] Tony Kushner and I and the actors did not demonize anyone in the film. We don't demonize our targets. They're individuals. They have families. Although what happened in Munich, I condemn. One of the reasons I wanted to tell this story is that every four years there's an Olympics somewhere in the world, and there has never been an adequate tribute paid to the Israeli athletes who were murdered in '72, and I wanted to tell this...

Author: /time Magazine | Title: MUNICH: THE INTERVIEW: His Prayer For Peace | 12/14/2005 | See Source »

...Pacific island in the 1930s for Kong, World War II London for The Chronicles of Narnia and Mrs. Henderson Presents. It may be based on fact (The New World) or fiction (Memoirs of a Geisha). It may even have similarities to warm-weather fare. Steven Spielberg's winter drama, Munich, like his summer fantasy, War of the Worlds, portrays a deadly surprise attack and the ambiguous human response...

Author: /time Magazine | Title: We Offer A Bird's-Eye View of the Big, the Bad and the Barest Movies of the Holidays | 12/11/2005 | See Source »

...than historical veracity at work in that shot. The Twin Towers are the symbols of our new age of high (and endless) anxiety. Maybe there is, as Spielberg insists, no resonance between the fate of the Towers' victims and the fate of a few athletes in long-ago, faraway Munich. But inevitably the destiny of those Towers tinctures our thoughts, however much we wish to deny them. Dutiful men like Avner Kauffman will be sent forth to improvise a response to terrorism, whatever its source. And to live with the unintended consequences of their actions. Any movie that subtly...

Author: /time Magazine | Title: Spielberg Takes On Terror | 12/4/2005 | See Source »

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