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Friendship among nations based on mutual recognition and respect has always been the essence of the Olympic spirit. And it was that spirit that animated the broad smile on the face of Israeli fencing coach Alex Spitzer in Munich in the summer of 1972, as he sauntered back to his wife, Ankie, after chatting with members of the team representing Lebanon, a nation with whom Alex's was legally...

Author: /time Magazine | Title: Revisiting the Olympics' Darkest Day | 9/12/2000 | See Source »

...September" is troubling nonetheless, for its reminder that even the ugliest acts of terrorism - and bungled official responses - are driven by choices made in a political context. And while the security arrangements today are infinitely more advanced than they were at Munich in 1972, the scourge of terrorism remains...

Author: /time Magazine | Title: Revisiting the Olympics' Darkest Day | 9/12/2000 | See Source »

...maddeningly modest about it too. A few months ago, he was in a waiting room at a television station with Shane Gould, Australia's princess of the pool in Munich, 1972. She was showing him her Olympic medals and, noting his gaze, told him, "You'll have a bunch of your own soon." Thorpe replied, "I'd be happy with...

Author: /time Magazine | Title: The Summer Olympics: Ian Thorpe | 9/11/2000 | See Source »

...maddeningly modest about it too. A few months ago, he was in a waiting room at a television station with Shane Gould, Australia's princess of the pool in Munich, 1972. She was showing him her Olympic medals and, noting his gaze, told him, "You'll have a bunch of your own soon." Thorpe replied, "I'd be happy with...

Author: /time Magazine | Title: Profile: Ian Thorpe | 9/6/2000 | See Source »

...surprising, 1900 being 1900, to see everywhere the imprint of the decorative style we call Art Nouveau, co-existing with the stern realism of Madrid, Munich and Thomas Eakins' Philadelphia. Its sources in great figures like Gauguin are not skimped; it's there in Edvard Munch, Gustav Klimt and in a host of lesser figures across the world, including Australia--Sydney Long's Pan, 1898, with its fauns and sweetly sexless hippies cavorting discreetly by the evening billabong, takes great formal advantage of the serpentine shapes of native gum trees...

Author: /time Magazine | Title: Art: The Stuff Modernism Overthrew | 6/5/2000 | See Source »

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