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This Year, Israel (Sun. 4:30 p.m., CBS). Passover drama, with Paul Muni...

Author: /time Magazine | Title: Radio: Program Preview, Apr. 18, 1949 | 4/18/1949 | See Source »

Reversing a more usual stage procedure, They Knew What They Wanted is a soppy play with a sensible ending. And to reach the right destination, it takes a very slow course through extremely flat country. There is endless talk, much of it in rather baffling broken English. Paul Muni's performance as the husband is studiously misconceived. Carol Stone is almost as much out of line, though more likable, as the girl. In every respect, old-hat playwriting has received a straw-hat production...

Author: /time Magazine | Title: The Theater: Old in Manhattan | 2/28/1949 | See Source »

...want to measure how much things have changed since Sidney Howard's play, "They Knew What They Wanted," won the Pulitzer prize in the late Twenties, go to the Shubert and see its revival with Paul Muni. In his preface Howard claims timelessness for his play, since "it is shamelessly, consciously, and even proudly derived from the legend of Tristram and Yseult...

Author: By Herbert P. Gleason, | Title: The Playgoer | 2/9/1949 | See Source »

...tortoise pace the plot progresses to its long-expected solution. But though you implore acceleration, though you cannot respond sympathetically to the problems, you will be deeply impressed with Muni's superb performance. He utters perhaps too many "Dio Mio's," but the warmth and understanding which he brings to the role of the Italian-American wine producer are unsurpassed. He spends the entire second act in bed, recuperating from two broken legs. His gestures and facial expressions, worthy of pantomime, carry not only that act, but the whole play. I found myself waiting impatiently for his return each time...

Author: By Herbert P. Gleason, | Title: The Playgoer | 2/9/1949 | See Source »

After Angels, Hughes made five more pictures, including his two best: Scarface, with Paul Muni, and The Front Page, with Adolphe Menjou and a newcomer named Pat O'Brien. Then he turned to aviation. So far as Hollywood was concerned, he had come, seen, conquered. On one of his very rare visits back to Houston, he said to friends: "Movies are a cinch. The more you spend, the more you make...

Author: /time Magazine | Title: People: The Mechanical Man | 7/19/1948 | See Source »

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