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...masterpiece-exiled for the crime of elitism over the past decade-must now be reinstated. It is the largest exhibition of one artist's work that MOMA has ever held, or probably ever will. It contains pieces ranging in size from Guernica, Picasso's 26-ft.-wide mural of protest against the fascist bombing of a Basque town during the Spanish Civil War, to a cluster of peg dolls he painted for his daughter Paloma. Paintings, drawings, collages, prints of every kind, sculpture in bronze, wood, wire, tin, paper and clay; there was virtually no medium the Spaniard...

Author: /time Magazine | Title: Art 1980: Picasso, modernism's father, comes home to MOMA | 10/5/1983 | See Source »

Picasso's climactic work of the '30s was Guernica, 1937. In its way it is a classicizing painting, not only in its friezelike effect, but also in its details. The only modern image in it is a light bulb; but for its presence, the mural would scarcely seem to belong in the world of Heinkel bombers and incendiary bombs. Yet its black, white and gray palette also suggests the documentary photo, while the texture of strokes on the horse's body is more like collaged newsprint than hair...

Author: /time Magazine | Title: Art 1980: Picasso, modernism's father, comes home to MOMA | 10/5/1983 | See Source »

...country boy who lived mostly in small cities, Wood drew nearly all the fundamental images of his work from the first ten years of his life on a farm near Anamosa, Iowa. No artist was more accommodating to his clients; his first mural commission, The Adoration of the Home, 1921-22, showing a group of allegorical figures around a cornfed goddess of the hearth who holds up a model house built by the Cedar Rapids developer Henry Ely, is a masterpiece of kitsch. But when unleashed, his imagination would scoot back to Anamosa every time...

Author: /time Magazine | Title: Art: Scooting Back to Anamosa | 6/27/1983 | See Source »

...three ring circus, a blaze of colors and graffiti. On one impressive wall a black-on-white silhouette of what appear to be jazz musicians and dancers on a ghetto street, the figures appear to laugh and then howl in anguish as the light changes. But another wall, a mural of floating patio furniture and suburban houses, is more than a bit obvious--it suggests a rip-off of the Rolling Stones' "Still Life" album cover. A third wall features a mural of haunting faces in the style of Mexican painter Frida Kahlo...

Author: By Kathleen I. Kouril, | Title: Too Many Cooks | 5/2/1983 | See Source »

...WallWalker has a certain Nipponese unpredictability: it never follows the same pattern twice in its wayward descent, seemingly pausing at times to reflect on its fate, at others engaging in a manic bout of activity. Many WallWalker buffs buy several of them at a time and mount a mural ballet. It is also cheap. More than 10 million in green, blue, yellow, red and black have been sold in the U.S. at between $1.69 and $2.50 since its introduction to a few cities late last year, and there are seemingly thousands more miles of wall for it to walk before...

Author: /time Magazine | Title: Living: Sticking to It | 4/25/1983 | See Source »

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