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...Nelson Rockefeller have the Diego Rivera mural he commissioned removed from the RCA Building...

Author: By Seth M. Kupferberg and Tom Lee, S | Title: The Guess-What's-Just-Around-the-Corner Quiz | 1/22/1975 | See Source »

...area of expertise that Nelson stumbled. He decided to cover a wall of the main building at Rockefeller Center with a mural worthy of St. Sophia, and he commissioned the Mexican artist Diego Rivera, a celebrated Communist, to paint it. All went well until an unmistakable likeness of Lenin turned up in the mural. That was not acceptable in the citadel of capitalism in the 1930s. "As much as I dislike to do so," Nelson wrote Rivera, "I'm afraid we must ask you to substitute the face of some unknown man where Lenin's face now appears...

Author: /time Magazine | Title: THE VICE PRESIDENCY: A Natural Force on a National Stage | 9/2/1974 | See Source »

Along the construction site across from the post office on Mt. Auburn St. is a brightly colored mural painted by children from a Watertown elementary school. Parts of the mural advertise banks and plead for crime and pollution prevention; among them is one which reads "Visit the Art Galleries of Harvard Square...

Author: By Amy Sacks, | Title: There's No Business Like . . . | 5/22/1974 | See Source »

...Colonial is now an intimate, lavishly appointed house with a decor of powder blue (Mrs. Harkness's favorite color), black marble floors, lots of mirrors, chandeliers and easily filchable gold-plated faucets in the rest rooms. The disconcertingly dominant feature of the theater, alas, is a campy, Daliesque mural by Spanish Painter Enrique Senis-Oliver called Homage to Terpsichore, which all but swallows the proscenium. Immortalized in an agonized, thrusting morass of naked dancers is a chastely gowned portrait of Mrs. Harkness, making obeisance to the goddess of dance. The painting almost glows in the dark, which means that...

Author: /time Magazine | Title: Dance: An Expense of Sprirt | 4/22/1974 | See Source »

Lithe Bodies. Considering what the dancers were doing on stage at the premiere, the mural did, at moments, serve as a kind of bas-relief. The youthful (average age: 21) Harkness troupers have splendidly lithe bodies for ballet. They are uniformly well schooled and delight in showing off, even flaunting, their imposing technique. Unfortunately, the choreography they are called upon to perform is of a piece with Senor Senis-Oliver's mural: epicene, self-indulgent and fundamentally empty...

Author: /time Magazine | Title: Dance: An Expense of Sprirt | 4/22/1974 | See Source »

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