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Word: muralism (lookup in dictionary) (lookup stats)
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...Dallas Museum of Fine Arts displayed a looming mural (18 ft. by 10 ft.) by Mexican Artist Rufino Tamayo (commissioned last year in the hope that it would help eliminate anti-Mexican prejudice in Texas). Titled El Hombre, the mural shows a monolithic, foreshortened giant, his back to the viewer, growing like a strange modernistic tower into the sky. His legs, bulging with orange-colored, cubist muscles, are firmly earthbound; but his upper half reaches into the stars. Explained Artist Tamayo: "I wanted to show man as a rational being going to higher places." Dallas, by & large, was delighted. Mayor...

Author: /time Magazine | Title: Art: Autumn Harvest | 10/26/1953 | See Source »

Athletically, Ohio supports varsity teams in almost every sport, while on he intra-mural side students compete in 17 sports. A ten hole golf course is currently under construction, and the intramural plan will be expanded on its completion...

Author: By David L. Halbersiam, | Title: Coeducational Ohio University Offers Provincialism, Gen Ed. | 10/3/1953 | See Source »

...than to praise God, and, except for Georges Rouault, they have generally chosen the easier course. But now a lame, grey, and perhaps great artist in Madrid has taken Rouault's high and lonely road. His name: Francisco Cossio. His finest achievement to date: a 20-foot-high mural (opposite) for Madrid's National Carmelite Church. While Rouault's paintings glow with almost painfully intense devotion, Cossio's masterpiece gleams cool and peaceful as a September dawn. Cossio, 54, spent three years on the mural, hopes to finish its companion for the opposite side...

Author: /time Magazine | Title: Art: The High Road | 9/21/1953 | See Source »

...first Madrid show in 1945 made Cossio famous overnight. His second, in 1950, secured his place as Spain's foremost living artist. The mural commission followed. Cossio took a studio atop a downtown Madrid skyscraper and established a daily routine: mornings working alone on the mural at the church, afternoons painting and resting alone in his studio, evenings chatting with friends at the Café Gijon, an artists' hangout...

Author: /time Magazine | Title: Art: The High Road | 9/21/1953 | See Source »

Cossio delights in explaining the subject matter of his finished mural. The crystal sphere at the bottom represents the human soul. Within it is a castle symbolizing the Church Militant. Spiraling up around the sphere are martyrs, saints and dignitaries of the Carmelite order. Borne amidst them on a shaft of light are St. Teresa of Avila and St. John of the Cross,* welcomed from above by the Madonna, and Child...

Author: /time Magazine | Title: Art: The High Road | 9/21/1953 | See Source »

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