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Word: muralitis (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

Booth Tarkington, 75-year-old, two-time Pulitzer Prizewinning novelist and connoisseur of art, who summers at Kennebunkport, Me., attacked the Kennebunkport post office mural, an old WPA project depicting bulgy bathers on a beach. Author Tarkington regarded the work as "painful to Kennebunkport's old timers. Why, Kennebunkport doesn't even have a bathing beach...

Author: /time Magazine | Title: People: Hearts on the Sleeve | 3/26/1945 | See Source »

Nelson Rockefeller, Mr. Stettinius' No. 1 assistant on Latin American affairs, showed his growing know-how, his flair for Latin amenities. At one session Delegate Rockefeller even chatted happily with Mexican Artist Diego Rivera, whose proletarian murals were torn out of Manhattan's Rockefeller Center by Nelson's father twelve years ago. Artist Rivera, now planning a mural based on the conference, spent several hours sketching Ed Stettinius...

Author: /time Magazine | Title: CONFERENCES: Illusion in Striped Pants | 3/5/1945 | See Source »

...When the King and Queen of England received Congress, "Cousin Nat" greeted "Cousin George" and "Cousin Elizabeth." *Guernica is Picasso's most politically minded work, a 275-sq.-foot mural vividly suggesting the atrocities committed by Nazu airmen, fighting for Francisco Franco (and practice) during the Spanish Civil...

Author: /time Magazine | Title: People: Alarms & Excursions | 9/25/1944 | See Source »

...kinds of Picassos were hung-from the posterish Harlequin to the Seated Woman (see cut), an example of Picasso's attempt to capture a figure from several angles simultaneously. Dropped at the last minute was a plan to show a large reproduction of Picasso's famed Guernica mural, a graphically violent protest against Franco's atrocities during the Spanish Civil...

Author: /time Magazine | Title: Art: Picasso in Mexico | 8/7/1944 | See Source »

...from the Scaffold. The Siqueiros Art for Victory movement got under way early last year in Chile, where Muralist Siqueiros fled while awaiting his trial. There he painted Death for the Invader, a mural regarded by the Modern Museum's Lincoln Kirstein as "the most important pictoric work since the Cubist Revolution of 1911." But peering down from his scaffold, Siqueiros observed that Latin American artists were doing nothing for the war, that they had lost touch with the masses, that Latin American governments had not given their artists a chance to develop. So he tore off a manifesto...

Author: /time Magazine | Title: Art: Siqueiros Rides Again | 4/3/1944 | See Source »

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