Word: murano
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Dates: during 1950-1959
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...Corso. One picture gallery has long been public, but now on Tuesdays, Fridays and Sundays, between 11 o'clock and noon, visitors are admitted to a whole succession of magnificent rooms in which every perfect detail seems to breathe history. The mid-18th century Venetian Room with its Murano glass chandelier may well surpass any interior of the same period remaining in Venice itself. The Grand Salon contains a golden cradle that bears eloquent witness to the natural expectations of a Doria-Pamphili heir: carved on the base are a bishop's staff, a doge...
...goblets, vases and bowls on display, made for Renaissance princes and Islamic sultans, are now owned by private U.S. collectors and museums, who lent them to the Corning Museum. None dates before 1450, and by that time the industry was well established, centered in Venice's island of Murano, where glass blowers work to this day. The glassmakers imported alkali from Spain and the Near East, pebbles of quartz from the River Ticino near Milan, and manganese, the "glassmakers' soap," which turned their glass to near crystal transparency. They were accurately imitating jewels in glass and turning...
...what one contemporary called "a sweet contest of nature and of man," Murano's craftsmen reached their greatest peak as they learned to twist glass into all manner of sizes and shapes. At its best, as in the dragon stem goblet (opposite), the Venetian artists managed to capture the same excitement in movement and space that held Tinoretto entranced. This Venetian love of bravura effects reached a flamboyant finale just before the development of heavy potash glass in Germany and lead glass in England broke Venice's near monopoly. Glass blowers made wine goblets in the forms...
Observer McCarthy early admits that in Venice, appearance is reality: "The tourist Venice is Venice: the gondolas, the sunsets, the changing light, Florian's, Quadri's, Torcello, Harry's Bar, Murano, Burano, the pigeons, the glass beads, the vaporetto. Venice is a folding picture-postcard of itself." But Tourist McCarthy is no ordinary tourist. Whether she is discussing the merits of Titian, Tintoretto, Veronese, Bellini, Giorgione, or building up a rare head of social protest steam over the teen-age slaveys whose eyes are being ruined in the lace factory at Burano, her reflections bear the stamp...
Bridge's acceptance marks the second time a Republican congressman has consented to keynote an assembly meeting on the Red China issue, but the first speaker, Representative Albert P. Murano (Conn.) had to refuse a scheduled appearance in December at the last minutes...