Word: murderer
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Dates: during 1970-1979
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...language. As Castro brandished the term "genocide" he trivialized, for the sake of immediate political gain, the past suffering of the Jews. But far more dangerously, this reckless misuse of the term bodes ill for oppressed all over the world. For as he toyed with the language of mass murder, Castro made the crime less horrible, more familiar; if he eventually succeeds in bringing the word into common political discourse, he will bring the crime into realm of the possible...
...most riveting interview was filmed from within a Wisconsin State Correctional Institution. The life of Karl Armstrong runs like a dark thread through The War at Home. Now serving a 23 year prison term, Armstrong was convicted of murder in connection with the bombing of the Army Math Research Center in 1970. He has been called "the bitter fruit of a bitter season." But his story means far more; Karl Armstrong symbolizes the progression of the anti-war movement from leaflets to sit-ins to dynamite. Clubbed at the Democratic National Convention in 1968, he vowed never...
Assistant district Attorney Thomas J. Mundy Jr. yesterday charged the three defendants, Richard S. Allen, Leon Easterling and Edward Soares, with first degree murder in the Puopolo death. Mundy also charged Easterling with assault and battery with a deadly weapon for the knifing of Thomas Lincoln '77, another Harvard football player...
McGee-McGraw stumbles into the camp and is immediately captured. After being forced to murder one of the terrorist group, he is tentatively accepted by the crazies, nine distinctly characterized men and women who have come to mania from all over the map. After a harrowing indoctrination, "Dads," as the kids call him, finds out that they have blown his cover. He has no choice but to blast his way out, killing all his captors-and nearly blowing his mind. It is the most intense and savage narrative that MacDonald has ever written. As for McGee, he recovers in time...
...obligatory car chase scene--the fact that Wells, in pursuit of Stevenson, must manuever San Francisco's considerable hill without knowing how to drive. In blessed contrast to The Crucifer of Blood, another recent Jack the Ripper film, Meyer keeps the gore to a minimum. In one murder, we see only the flush of his knife, followed by a tear of blood on his face--a masterful bit of understatement...