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...RUPERT MURDOCH X-Files star David Duchovny is suing Fox for underselling reruns. Moguls vs. aliens, anyone...

Author: /time Magazine | Title: Notebook: Aug. 23, 1999 | 8/23/1999 | See Source »

...When Murdoch seems not to be singing about himself, he follows many British bands in offering character sketches and social critique. Much of Tigermilk offers portraits of other young men and women who are most likely Generation Xers, from a young dreamer, Mary Jo, to a pair of lesbian lovers, Lisa and Chelsea on "She's Losing It." As elsewhere, these figures are reading books, skating pirouettes and riding buses as hobbies...

Author: By Luke Z. Fenchel, CRIMSON STAFF WRITER | Title: Great Expectations: B&S Release a Prequel | 7/23/1999 | See Source »

...does for Belle and Sebastian's more recent work. Many of the songs, intensely personal, describe states of being and moods of troubled 20-year-olds. Yet far from being self-indulgent fluff, a perceptive and sharp wit prevents the songs from growing tiresome. On the opening track, Murdoch confides, "The priest in the booth had a photographic memory for all he had heard. He took all of my sins, and he wrote a pocket novel called The State I Am In. And so I gave myself to God, there was a pregnant pause before he said...

Author: By Luke Z. Fenchel, CRIMSON STAFF WRITER | Title: Great Expectations: B&S Release a Prequel | 7/23/1999 | See Source »

Tigermilk also references quite a bit of musical history, one of the strongest shaping factors of a post-punk generation. On "I Don't Love Anyone," in a sense speaking to Lou Reed, Murdoch tells of meeting a strange man who told him, "The world is soft as lace." The singer replies, "There's always somebody saying something." Herein lies the obligatory generational angst: a reversal of "Sweet Jane." Of course, there is also "Expectations," a song about a woman in a dead-end job; she is said to have a hobby of making life-size statues of the Velvet...

Author: By Luke Z. Fenchel, CRIMSON STAFF WRITER | Title: Great Expectations: B&S Release a Prequel | 7/23/1999 | See Source »

...tracks on Arab Strap is explicitly about the record label representative who signed Johnny Marr from the Smiths, on "Electronic Renaissance" the chorus is a revisited version of the Smith's "Panic." Gently mocking many of the current pop bands who have incorporated sophisticated remixing and other mixology, Murdoch sings, "Play a game with your electronics, take a step to the discotheque...Hand in hand with the Electronic Renaissance is the way to go, you're learning, soon you will do the things you wanted since you were wearing glitter badges." The chorus sounds a critique of both musical...

Author: By Luke Z. Fenchel, CRIMSON STAFF WRITER | Title: Great Expectations: B&S Release a Prequel | 7/23/1999 | See Source »

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