Word: murgatroyds
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...which we’re doing for the 50th.” Beyond the sentimental significance, “Ruddigore” is an entertaining operetta. An innocent village beauty, Rose Maybud (Caitlin Vincent, ’07) discovers that her love Robin Oakapple is actually Sir Ruthven Murgatroyd, who is obligated by a family curse to commit at least one evil every day of his life. The fickle Maybud then finds comfort in the arms of Sir Ruthven’s half-brother, Dick Dauntless. The story unfolds—against a backdrop of portraits coming to life, professional...
...Kevin Angle '03 surpasses himself in the role of Rose's love interest, Sir Rutheven Murgatroyd, an inheritor of the Murgatroyd family curse, which causes the holder of the title of Baronet to perform one evil deed each day until he will invariably refuse to commit the crime and then die, in agony, at the hands of his ancestors. Sir Rutheven has faked his own death and has disguised himself as the sweet, disarming young farmer Robin Oakapple, who has such low self-esteem that he cannot confess his love to Rose without the help of his long-lost foster...
...with the nature of her part than her actual performance). Kim's vibrancy is not to be missed; each of her humorous and irreverent facial expressions enhances her performance and draws the audience in to her plight as the one-time fiance of the now dead Sir Roderic Murgatroyd (Robert Hughes '01). Hannah is a feisty woman and Kim is wonderfully cast; it is with much relish and glee that she pulls a knife (from a glittering red garter) on Robin, in one of Ruddigore's many comic twists...
...scenes in which he appears. With his deadpan manner of speaking and almost robotic posture and carriage, Adam is the total antithesis of all the energetic, lighthearted singing going on around him, and his performance is outstanding. Other noteworthy performances include Neil Davidson '03 as Sir Despard Murgatroyd, Robin's younger brother, and the five men who make up the Chorus of Gentry and the Chorus of dead Baronets, the latter appearing with some unexpected special effects in the second...
...just gets inane and silly. The conversion of Despard and Margaret from the morally loose characters of the first act to puritanical ministers of charity in the second is arbitrary and unconvincing. The conclusion of the drama, with the resurrection of Ruthven's suicidal forbear Sir Roderic Murgatroyd, seems a morbid solution to the flighty plot...