Word: muriel
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...family sent her to the city's conventional bastions of higher learning (the University of Chicago, the Art Institute of Chicago) and Muriel Kallis painted on, even after her marriage to Jay Steinberg, a successful local businessman...
...noncollector, she assembled a spectacular collection. Last week Muriel Kallis Steinberg Newman, Chicago matron and patron of the arts, announced that she would bequeath it all to New York City's Metropolitan Museum of Art. Current value: $12 million to $15 million. Met Director Philippe de Montebello described it as the greatest private collection of abstract expressionists in the world. The gift does not become final until after her death. But at 66, Newman is still active in the art world as a member of the Chicago Art Institute's committee on 20th century painting and sculpture...
...book without concluding that the course of these sprawling, murderous battles was often changed by individuals or small groups of men, whose sense of honor, courage, comradeship or simple professional efficiency drove them to extreme effort. Toland's most touching example: a Canadian cavalry officer named Gordon Muriel Flowerdew, who was exhorted to lead a squadron of Lord Strathcona's Horse straight at entrenched machine gunners on a ridge. Flowerdew, Toland writes, "a mild-looking young man, smiled gently as they started forward. 'I know, sir. I know it is a splendid moment. I will...
...kind of event. A hall packed with politicians, Democrats for the most part, of course. Near nonstop oratory from 35 speakers. His beloved Muriel caught in the glow of spotlights and spontaneous affection. But Hubert H. Humphrey is gone: the Worcester, Mass., tribute last week was a New England scholarship fund raiser for the Hubert H. Humphrey Institute of Public Affairs at the late Vice President's alma mater, the University of Minnesota. Among the battery of speakers was a particularly close friend from Senate days who had shared the ticket in Humphrey's 1968 presidential race. Embracing...
Thus it was an odd sight to see not one but ten Lucia Chases onstage at the close of a three-hour show that mixed short excerpts and pas de deux with bows by beloved former dancers like Irina Baronova, Muriel Bentley, Sono Osato, Nora Kaye, Annabelle Lyon, Violette Verdy. Against a deeply shadowed backdrop, Chase seemed to appear in her old roles: actually dancers were costumed as the young girl who dances the prelude in Les Sylphides, the greedy virgin in Three Virgins and a Devil, the doll in Petrouchka, the Columbine in Carnaval, the eldest sister in Pillar...