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Word: murk (lookup in dictionary) (lookup stats)
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...play is vaguely set in Japan in about the 17th, 18th or 19th century. Dramatic purists might reject the entire work as being similarly vague, as too often cloaking murk in mystification. The action unfolds like a series of semi-related Japanese prints, some limpidly serene, others viscerally gory...

Author: /time Magazine | Title: Theater: Kdang! | 11/28/1969 | See Source »

...that suggestion, implying that there is no American culture worth knowing, is antediluvian and, for our purposes, quite irrelevant. Neither Lamartine nor Gauguin can be of much use to us in our search for a real America behind the murk, the insouciance, and the chauvinism of the American mind. Indeed, an intense facing up to facts about this continent and its history is far more instructive, especially about the future of our world, than a facing backward to Europe, still a center of ferment and ideas, but no longer the depository of sane leadership...

Author: By Hal Eskesen, | Title: The Spirit of American History | 3/26/1969 | See Source »

...have been carefully printed to reduce the yellow cast of ancient varnish that customarily obscures Rembrandt's backgrounds. The result, though it sometimes gives the impression that the paintings have just been overzealously cleaned and scraped, offers a rare chance to linger over details normally lost in murk. Weight: 10½ pounds...

Author: /time Magazine | Title: Books: A Christmas Shelf: Bigness and Beauty | 11/29/1968 | See Source »

...Durants admit they can find no substantial change in man's basic nature in the uncountable centuries since he first appeared out of the murk of prehistory. All technological advances actually can be written off "as new means of achieving old ends-the acquisition of goods, the pursuit of one sex by the other (or by the same), the overcoming of competition, the fighting of wars...

Author: /time Magazine | Title: Books: Triumphal March | 8/9/1968 | See Source »

Italy's Alberto Burri, who began by charring panels of wood, now creates haunting images by scorching skeins of plastic; after all, since nature is in a state of constant metamorphosis, fire, which transmutes plastic's clarity into murk, is a legitimate artist's tool. Philip McCracken offers a long, narrow Plexiglas case, with five light bulbs lined up inside, four of them shot to bits and bullet holes piercing the case on either side of them. The piece seems to ask the question "When?" as the eye canvasses the damage already done and the mind awaits...

Author: /time Magazine | Title: Exhibitions: Destruction Can Be Beautiful Or Can It? | 5/24/1968 | See Source »

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