Word: murray
(lookup in dictionary)
(lookup stats)
Dates: during 1950-1959
Sort By: most recent first
(reverse)
...attractive woman pointing their fingers at each other (above) are not playing a new finger game. They are talking about the silent man in the middle: Dwight Robinson, chairman of Massachusetts Investors Trust. En gaged in conversation with Mrs. Robinson is TIME'S Boston Bureau Chief Murray Gart, who spent many hours with the Robinsons working on this week's cover story on M.I.T. and the man who runs it. Gart got to know the Robinsons well by being shadow to Robinson at his M.I.T. offices, visiting the Robinson home, romping with their three elkhounds...
Among Faculty members who have attended the dinners are Dean Bundy and Professors John M. Bullitt, Charles R. Cherington, I. Bernard Cohen, Raphael Demos, Oscar Handlin, Clyde K. M. Kluckhohn, Harry T. Levin, Henry A. Murray, Leonard K. Nash, David Riesman, and Samuel A. Stouffer...
...battle that led to the Senate resolution censuring McCarthy in December 1954. Zwicker is now a major general, commander of the XX Reserve Corps. *The nays, aside from Morse: Alaska's E. L. Bartlett and Ernest Gruening, Colorado's John A. Carroll, Montana's James E. Murray, Nevada's Howard W. Cannon, Ohio's Stephen M. Young, Pennsylvania's Joseph S. Clark, South Carolina's Olin Johnston, West Virginia's Robert C. Byrd and Jennings Randolph. *In August 1951, by a scared mare that Morse was showing at a fair in Orkney...
Mozart's glorious Piano Concerto in G, K. 453, featured Edgar Murray '60 as the soloist. Though he phrased with style and intelligence, his lacklustre tone failed to bring to life many of his good musical ideas. In the third movement, however, his performance brightened considerably and he handled the variations accurately and vigorously...
...orchestral introductions were done with distinction; their sound was full-bodied, their phrasing, sensitive and their spirit, compelling. While accompanying Murray however, the orchestra made some surprisingly shaggy entrances and, at times, Harbison's more grandiose conception of the work resulted in the orchestra's drowning out Murray's playing. This imbalance and inaccuracy on the orchestra's part disappeared in the last movement when it joined the pianist in a vibrant performance of the finale--a fitting close to an excellent concert...