Word: murrays
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Dates: during 1970-1979
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...capitalizing on a news story like that. It cheapens everybody." That criticism notwithstanding, at least one project offers hope of exceptional accuracy: Merv Griffin Productions' Odyssey of 139, which will focus on the ordeal of the hostages rather than the derring-do of the rescue. Reason: Griffin President Murray Schwartz was aboard the hijacked plane and was among the group of hostages released prior to the Israeli rescue mission...
...actor's name is John Travolta. He is 22, and seems to be the successor to David Cassidy and Donnie and Marie Osmond in the hearts of the eleven-to 15-year-old crowd. Taking Don Murray's old role in Bus Stop is just a passing thing for him. Travolta is best known as Vinnie Barbarino, the tough, macho "Sweathog" in ABC's hit series Welcome Back, Kotter. The show is an updated version of Happy Days, a genial exercise in instant nostalgia, and Vinnie Barbarino is barely distinguishable from Arthur Fonzarelli, a.k.a. the Fonz...
With that, Halevy quickly called Chief of Correspondents Murray Gart, 6,000 miles away in Connecticut, who relayed the message to other editors at their homes. Moments later, Washington Correspondent Bonnie Angelo, tipped off by a State Department source, sent confirming word from the capital. At that point (about 9 p.m. New York time), only a few thousand copies of the cover picture for the July 12 issue had been printed, and TIME's managing editor gave the order to stop the presses and reopen the magazine. Within minutes, the needed staff began assembling on the 25th floor...
...Peter Riegert) and the girl (Jane Anderson) have each been involved in cozily domestic relationships with homosexual roommates. Their chance to go straight, as it were, is blighted by the cruel disparagement of the new lovers by their former partners (F. Murray Abraham and Gina Rogers...
...third act Murray pushes his voice to the point of ugly hoarseness, and in the last act he makes us suffer through his yelling, yelling, yelling. This is not the same thing as digging deep into a part. For that we need someone who can approach the profound grandeur that Michael Higgins captured in the 1958 production...