Word: murrow
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Dates: during 1950-1959
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Furrows in Murrow. As a performer, Murrow has expert technique. During the blitz, when he served as Britain's Boswell, his "This [pause] is London" carried the thrill of Britain's finest hour across the Atlantic. His timing can make silence more eloquent than words. Between his ominous tone and his spare, understated writing springs a tension suggesting that, as one listener put it, "he knows the worst but will try not to mention...
Beyond personality and technique, Murrow's persuasiveness is rooted in a prickly social conscience and a sense of mission about keeping people informed. An NBC cynic has versified: "Nobody's brow furrows like Edward R. Murrow's." Murrow's worried look is genuine. "He internalizes world events," says a friend. "They flow right through him like a stream. The fall of Britain would have been as meaningful to him as the loss of a child to one of us." This outsized sense of responsibility fills Murrow's work with conviction and sincerity. Says a colleague...
Alarms & Excursions. Beyond that, as solid a reason as any for Murrow's edge is simply that he is a fine reporter with sight and sound; he has a gift for capturing actuality in its moods and nuances as well as its meaning. Many a veteran of printer's ink has been, in the words of one of them, "faintly scandalized that such good reporting can be done by a man who never worked on a newspaper in his life." Fellow reporters have nicknamed Murrow "the Professor" after his academic past and "the Bishop" for his solemn cadences...
...Murrow's alarms are almost always matched by his excursions to the scene of the news. He covers his stories with an intensity that courts exhaustion and a passion for physical danger that is the despair of his friends and employers. Says his friend and boss, Bill Paley: "You could almost call it a drive to self-destruction. He's never happy unless he's working. When he looks like death, that's when you feel a happy glow...
...Little Picture." Murrow's zest for chasing fire engines on a global scale sometimes forces him to commute across oceans to keep his weekly date on Person to Person. By the time the show's technicians have torn their five tons of equipment out of a visited celebrity's home, Murrow may be on a plane to Washington to lay the groundwork for a new See It Now or closeted in a projection room to edit film for one already in work. At the end of a routine day's conferring, writing, filming or reporting...